Mbali Dhlamini and the decolonial etymology of colour

South Africa is constituted through a myriad of textures; it’s a kaleidoscopic interweaving of constantly adaptive and evolving languages and cultures, and communicative gestures within this context often do not lie prostrate to colonial dialects of restrictive definition. Complex physical and metaphysical engagements are constantly operating through forms of language that imposed ontologies could never even begin to find the words for..Click to continue reading

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