CV Candice Breitz


Candice Breitz was born in Johannesburg in 1972. She has lived and worked in Berlin since 2002. She holds
degrees from the University of the Witwatersrand (Johannesburg), the University of Chicago and Columbia
University (New York). She has participated in the Whitney Museum’s Independent Studio Program and ran
the Palais de Tokyo’s Le Pavillon residency as a visiting artist during the year 2005-2006. She has been a
tenured Professor of Fine Art at the Hochschule für Bildende Künste in Braunschweig since 2007.

In recent years, solo exhibitions of Breitz’s work have been hosted by the Temporäre Kunsthalle Berlin, Baltic Centre for Contemporary Art (Newcastle), Palais de Tokyo (Paris), De Appel (Amsterdam), Musée d’Art
Moderne Grand-Duc Jean (Luxembourg), Moderna Museet (Stockholm), Castello di Rivoli (Turin), Collection
Lambert (Avignon), Louisiana Museum of Modern Art (Humlebæk), White Cube (London), Bawag Foundation
(Vienna), Museo de Arte Contemporáneo de Castilla y León (Spain), San Francisco Museum of Modern Art,
The Power Plant (Toronto), Kunsthaus Bregenz (Austria), Pinchuk Art Centre (Kyiv), the Wexner Center for the Arts (Ohio), Queensland Art Gallery (Brisbane), Standard Bank Gallery (Johannesburg) and South African
National Gallery (Cape Town).

Breitz has participated in biennales in Johannesburg (1997), São Paulo (1998), Istanbul (1999), Taipei
(2000), Kwangju (2000), Tirana (2001), Venice (2005), New Orleans (2008) and Singapore (2011). Selected
group exhibitions include New Frontier (Sundance Film Festival, 2009), The Cinema Effect (Hirshhorn Museum
+ Sculpture Garden, 2008), Made in Germany (Kunstverein Hannover, 2007), Superstars (Kunsthalle Wien,
2005) and Remix: Contemporary Art and Pop (Tate Liverpool, 2002).

Breitz’s work has been acquired by museums including the Solomon R. Guggenheim Museum and the
Museum of Modern Art (both in New York), the National Gallery of Canada (Ottawa), Fonds national d’art
contemporain (France), Castello di Rivoli (Turin), Hamburger Kunsthalle (Hamburg), Kunstmuseum St. Gallen,
Louisiana Museum of Modern Art (Humlebæk), Städtische Galerie im Lenbachhaus (Munich), Musée d’Art
Moderne Grand-Duc Jean (Luxembourg), Kunstmuseum Lichtenstein (Vaduz), Museum of Old and New Art
(Tasmania), Queensland Art Gallery (Brisbane), San Francisco Museum of Modern Art, Art Gallery of Ontario
(Toronto), Museum of Fine Arts (Boston) and Museo nazionale delle arti del XXI secolo (Rome).

Additional information on her work can be found at:

Solo Exhibitions

Ponderosa, Kunstmuseum Stuttgart, Stuttgart, Germany

The Woods, Peabody Essex Museum, Salem, USA
Treatment, Kaufmann Repetto, New York, USA

The Woods, Blaffer Art Museum , University of Houston, Texas, USA
Factum, Art Gallery of Ontario, Toronto, Canada
FreePort [No. 008]: Candice Breitz, Peabody Essex Museum, Salem, Massachusetts, USA
Working Class Hero, ZeitHaus Volkswagen, Kunstmuseum Wolfsburg, Germany
Treatment, Centre d’Art Contemporain Geneve, Switzerland

Working Class Hero (A Portrait of John Lennon) , Anna Schwartz Gallery, Sydney, Australia
The Woods , Goodman Gallery Johannesburg, South Africa
Him + Her , Void Contemporary Art Gallery, Derry, Northern Ireland

Candice Breitz: The Character , The Australian Centre for the Moving Image (ACMI), Melbourne, Australia
Extra! , Iziko South African National Gallery, Cape Town, South Africa
Extra! , Standard Bank Gallery, Johannesburg, South Africa

Kunsthaus Bregenz, Bregenz, Austria
Espoo Museum of Modern Art , Espoo, Finland
White Cube, London, UK
STUK Leuven, Leuven, Belgium

Yvon Lambert, New York, USA
The Power Plant, Toronto, Canada
San Francisco Museum of Modern Art, San Francisco, USA
Art Center Kabuso, Hardangerfjord, Norway
Blank Projects, Cape Town, South Africa
Riksutställningar – Swedish Traveling Exhibitions (various places)

Louisiana Museum of Modern Art, Humlebæk, Denmark
Collection Lambert en Avignon, Avignon, France
Musée d’Art Moderne Grand-Duc Jean, Luxembourg
Temporäre Kunsthalle Berlin, Berlin, Germany
BFI Southbank, London, UK

MUSAC – Museo de Arte Contemporáneo de Castilla y León, León, Spain
White Cube, London, UK
Prix International d’Art Contemporain 2007, Monaco
Vox Contemporary Image, Montréal, Canada

Konstmuseum Uppsala, Uppsala, Sweden
Baltic Centre for Contemporary Art, Gateshead, UK
Hellenic American Union, Athens, Greece
Kukje Gallery, Seoul, South Korea
Bawag Foundation, Vienna, Austria

Castello di Rivoli, Turin, Italy
Palais de Tokyo, Paris, France
White Cube, London, UK
Sonnabend Gallery, New York, USA
Edith-Russ-Haus für Medienkunst, Oldenburg, Germany
Mercer Union, A Centre for Contemporary Art, Toronto, Canada
Bob Marley Museum, Kingston, Jamaica
Das Schiff, Basel, Switzerland

Sonnabend Gallery, New York, USA
Moderna Museet, Stockholm, Sweden
FACT / Foundation for Art & Creative Technology, Liverpool, UK
Tokyo Wonder Site, Tokyo, Japan
Galleri Roger Björkholmen, Stockholm, Sweden

Modern Art Oxford, Oxford, UK
Galerie Max Hetzler, Berlin, Germany
aspreyjacques, London, UK
De Beeldbank, Eindhoven, Netherlands
Goethe Institute, Zagreb, Croatia

Artpace San Antonio, Texas, USA
INOVA Institute of Visual Arts, Milwaukee, USA
Künstlerhaus Bethanien, Berlin, Germany
Museum Folkwang / RWE-Turm, Essen, Germany
Miami Basel Statements, Miami, USA

De Appel Foundation (Amsterdam)
O.K Center for Contemporary Art Upper Austria, Linz, Austria
Kunstverein St. Gallen Kunstmuseum, St. Gallen, Switzerland
Galerie Johnen & Schöttle, Cologne, Germany
Galleri Roger Björkholmen, Stockholm, Sweden
Galeria João Graça, Lisbon, Portugal
Galleria Francesca Kaufmann, Milan, Italy

Centre d’Art Contemporain Genève, Geneva, Switzerland
New Museum of Contemporary Art, New York, USA
Galerie Art + Public, Geneva, Switzerland
Galerie Rüdiger Schöttle, Munich, Germany
Galleria Francesca Kaufmann, Milan, Italy
Chicago Project Room, Chicago, USA
Künstlerhaus Schloss Wiepersdorf, Wiepersdorf, Germany

Galerie Rüdiger Schöttle, Munich, Germany
Galleri Roger Björkholmen, Stockholm, Sweden

Galerie Johnen & Schöttle, Cologne, Germany
Sala Mendoza, Caracas, Venezuela
Chicago Project Room, Chicago, USA
Galleri Roger Björkholmen, Stockholm, Sweden

Craig Krull Gallery, Los Angeles, USA
Silverstein Gallery, New York, USA
Galerie Rüdiger Schöttle, Munich, Germany

The Rainbow Show, The Space Gallery , Johannesburg, South Africa

Tourist Works, Cochrane Woods Art Center , Chicago, USA

Serial Corpses, Institute of Contemporary Art , Johannesburg, South Africa

Group Exhibitions

A World View: The Tim Fairfax Gift, Queensland Gallery of Modern Art, Brisbane, Australia
Moving Tales: Video from the La Gaia Collection, Chiesa di San Francesco, Cuneo, Italy
New Revolutions: Goodman Gallery at 50 , Goodman Gallery, Johannesburg, South Africa
Robenmutter, (Work featured: Mother), Lentos Museum, Linz, Austria
Thrill of Heights – Angels and Doppelgaenger, (Work featured: Factum) OK Center for Contemporary Art
Upper Austria, Linz, Austria

Speaking Back, Goodman Gallery, Cape Town, South Africa
Other People’s Memories, Goodman Gallery, Johannesburg, South Africa
All the World’s a Stage, works from the Goetz collection, Sala de Arte Sentander, Madrid, Spain
Cannibalism? On Appropriation in Art, (work featured: Soliloquy Trilogy)Zacheta National Gallery of Art,
Warsaw, Poland
Faces: Between Figured, Portraits and Masks,(Work featured: Factum) Neues Museum Numberg,
The Coming Museum, (Work featured: The Character), Forum Eugenio de Almeida, Evora, Portugal
Verstarker: Fan-Verhalten und Kunst, (Work featured: Monuments), Kunstlerhaus Bethanien, Berlin,
I got Rhythm: Art & Jazz since 1920_, (Work Featured: King (_A Portrait of Michael Jackson)
Kunstmuseum Stuttgart, Germany

From Sitting to Selfie, Standard Bank Gallery, South Africa
Surfacing, Goodman Gallery, Cape Town, South Africa
Producing the Common, Dak’Art / 11th Biennale de l’Art Africain Contemporain, Dakar, Senegal
UrSenses, Färgfabriken, Stockholm, Sweden
She, David Winton Bell Gallery, Brown University, Province, Rhode Island, USA

2013 – 2015 Distance and Desire: Encounters with the African Archive, Walther Collection, Ulm Germany

2013 – 2014 Pop Goes the Revolution, New Church, Cape Town, South Africa

David Cronenberg / Transformations, MOCCA / Museum of Contemporary Canadian Art, Toronto, Canada
Modern Identities, Garage Center for Contemporary Culture, Moscow, Russia
Permanent Collection, National Gallery of Canada, Ottawa, Canada
Distance and Desire: Encounters with the African Archive, The Walther Collection, Neu-Ulm, Germany
Icastica, 1st International Arezzo Biennial of Art, Arezzo, Italy
Dave Allen / Candice Breitz / Douglas Gordon, n.b.k / Neue Berliner Kunstverein, Berlin, Germany
1.pers.sing: The Artist’s Body between Self-Portrait and Performance, b-05 Art and Design Center,
Montabaur, Germany
This is Not a Love Song, La Virreina Centre de la Imatge, Barcelona, Spain
My Joburg, La Maison Rouge, Paris, France
Rehearsals: The Practice and Influence of Sound and Movement, SCAD Museum of Art, Savannah, USA

Thank You for the Music, Kiasma Museum of Contemporary Art Helsinki, Finland
Advance/… Notice, Goodman Gallery, Johannesburg, South Africa
Biografen / The Cinem, Botkyrka Konsthall Botkyrka, Sweden

Monanism, MONA, Museum of Old and New Art Hobart, Tasmania, New Zealand
Open House, Singapore Biennale 2011, Singapore
InvisibleIsVisible Museum of Contemporary Art Taipei, Taipei, Taiwan
Rollenbilder – Rollenspiele, Museum der Moderne Salzburg Salzburg 2011 Jewish Museum
Moving Portraits, De La Warr Pavilion Bexhill on Sea, UK
European Media Art Festival 2011: Moving Stories Kunsthalle Dominikanerkirche Osnabrück, Germany
Overkill The Mission Chicago, USA
Moving Stories Vidéoformes Clermont-Ferrand, France
Moving Stories, WRO Art Center Wrocław, Poland
Moving Stories, Invideo Milan, Italy
Moving Stories, O.K Center for Contemporary Art Linz, Austria
Moving Stories, Contour Mechelen Mechelen, Belgium

Afro Modern: Journeys through the Black Atlantic Tate Liverpool Liverpool, UK
Art in the First Decade Queensland Art Gallery / Gallery of Modern Art 21st Century: Brisbane, Australia
I Love You, ARoS Aarhus Kunstmuseum Aarhus Denmark
The Flower of May, Gwangju Museum of Art Gwangju, Korea
Je crois aux miracles / 10 ans de la Collection Lambert, Collection Lambert en Avignon Avignon, France
Culture(s) of Copy, Goethe Institut Hong Kong, Hong Kong
Culture(s) of Copy, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany
La Fuerza de la Palabra. Colección MUSAC, Instituto Cultural Cabañas Guadalajara, Mexico
Museo de Arte Contemporáneo de Castilla y León La Fuerza de la Palabra, MUSAC León, Spain
Afro Modern: Journeys through the Black Atlantic Centro Galego de Arte Contemporánea Santiago de
Compostela, Santiago, Chile
Events of the Self:, The Walther Collection *2010*
Portraiture and Social Identity, Ulm, Germany
1910-2010: From Pierneef to Gugulective Iziko South African National Gallery Cape Town, South Africa
In Context, Goodman Gallery Johannesburg , South Africa
Il Museo Privato, Galleria d’Arte Moderna e Contemporanea Bergamo, Italy
Trailer Park: Opere dalla Fondazione Morra Greco , Teatro Margherita Bar, Bari, Italy
New Frontier, Sundance Film Festival, Park City, USA
What a Wonderful World, Göteborg International Biennial for Contemporary Art, Sweden
Contemporary Outlook: Seeing Songs, Museum of Fine Arts Boston, Boston, USA
Performa 09 , Performa New York, USA
Polyglottolalia , Tensta Konsthall Stockholm, Sweden
Video Portraits, Smith College Museum of Art Northampton Australia
Mi Vida. From Heaven to Hell, Mücsarnok Budapest, Hungary
Artists vs Hollywood, Globe City Newcastle upon Tyne, UK
Artists vs Hollywood, Arts Space Wodonga, Wodonga, Australia
Mnemocyne, Pesaro Film Festival, Pesaro, Italy
Klang = Skulptur, Festival Rümlingen, Rümlingen, Switzerland
Monitoring , 26th Kassel Documentary, Film and Video Festival, Kassel, Germany
The Rustle of Language, Galleria Francesca Kaufmann, Milan, Italy
Dada South? Iziko South African National Gallery, Cape Town, South Africa
Song Show, Artlab Gallery, University of Western Ontario, Canada

We Are Stardust, We Are Golden, Galerie Johnen & Schöttle, Cologne, Germany
Colateral 2: Quando a arte olha o cinema, SESC Avenida Paulista, São Paulo, Brazil
American Idyll: Contemporary Art and Karaoke, Contemporary Arts Center Cincinnati, USA
Laughing in a Foreign Language, The Hayward / Southbank Centre, London , UK
Disguise, Michael Stevenson Gallery, Cape Town, South Africa
Starstruck: Contemporary Art and the Cult of Celebrity, The New Art Gallery Walsall, Walsall, England
Cohabitation: 13 Artists and Collage, Galleria Francesca Kaufmann, Milan, Italy
Prospect.1 New Orleans, The New Orleans Biennale, New Orleans, USA
The Cinema Effect: Illusion, Reality, and the Moving Image, Hirshhorn Museum & Sculpture Garden,
Washington D.C., USA
Artists vs Hollywood, The Block / Queensland University of Technology, Brisbane, Australia
Popshop: Remixing Icons of Mass Culture, MU Eindhoven, Eindhoven, Netherlands
Unclassifiable, Overgaden / Institut for Samtidskunst, Copenhagen, Denmark
Order. Desire. Light., The Irish Museum of Modern Art, Dublin, Ireland
Under Erasure, Temple Bar Gallery and Studios, Dublin, Ireland
Ladies Only!, Kunstmuseum St. Gallen, St. Gallen, Switzerland
Worlds On Video, CCCS Centro di Cultura Contemporanea Strozzina, Florence, Italy
Unclassifiable, Darling Foundry Visual Arts Center, Montreal, Canada
Sensory Overload, Milwaukee Art Museum, Milwaukee, Canada
Empty Orchestra, Justina M. Barnicke Gallery, Toronto, Canada
Heavy Metal, Kunsthalle zu Kiel, Kiel, Germany
The Krautcho Club / In and Out of Place, Forgotten Bar Project, Berlin, Germany
Recent Acquisitions , Queensland Art Gallery / Gallery of Modern Art, Queensland, Australia
Australian, International and Asian and Pacific Collections, Brisbane, Australia

Made in Germany , Kunstverein Hannover, Hannover, Germany
Star Power: Museum as Body Electric, Museum of Contemporary Art l Denver, Denver, USA
World Receiver , Hamburger Kunsthalle Hamburg, Germany
The Collection: Aiwa To Zen, Musée d’Art Moderne Grand-Duc Jean, Luxembourg
Seduction: A Theory-Fiction between the Real & the Possible, Beijing Centre for Creativity, Beijing, China
Celebrity, Scottsdale Museum of Contemporary Art, Arizona, USA
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan, Italy
Unclassifiable: Shifting the Fulcrum, LMCC Project Space, New York, USA
Collector’s Choice: Collection 2, Daelim Contemporary Art Museum, Seoul, South Korea

The Zabludowicz Collection: An Archaeology, Project Space 176, London, UK
Rohkunstbau / Three Colours: White, Schloss Sakrow, Postdam, Germany
Replaying Narrative , Le Mois de la Photo à Montréal 2007, Montreal, Canada
Centro Galego de Arte Contemporánea Cuestión Xeracional, Santiago de Compostela, Santiago, Chile
Unclassifiable, Malmö Festival, Malmö, Sweden
The Future of Futurism, Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy
Autumn Reading , Galleri Roger Björkholmen, Stockholm, Sweden
European Media Art Festival 2007: Final Cut, Kunsthalle Dominikanerkirche, Osnabrück, Germany

Tokyo-Berlin / Berlin-Tokyo, Mori Art Museum Tokyo, Japan
Sip My Ocean, Louisiana Museum of Modern Art Humlebæk, Denmark
Berlin-Tokio / Tokio-Berlin, Neue Nationalgalerie, Berlin, Germany
Full House: Faces of a Collection, Kunsthalle Mannheim, Mannheim, Germany
This is America!, Centraal Museum, Utrecht, Netherlands
Dark Places, Santa Monica Museum of Art California, USA
Figures de l’acteur, Le Paradoxe du comédien, Collection Lambert en Avignon Avignon, France
Art, Life & Confusion / 47th October Salon, Belgrade Biennial, Belgrade, Serbia
Video Venice Adelaide Bank Festival of Arts Adelaide, Australia
CUT: Film as Found Object, Philbrook Museum of Art, Tulsa, USA
Hiding in the Light, Mary Boone Gallery, New York, USA
Candice Breitz + Elfie Semotan, Galerie der Stadt Wels, Wels, Austria
Collection Pierre Huber, Le Magasin Centre National d’Art Contemporain, Grenoble
Lifestyle, Kunstmuseum St. Gallen, St. Gallen
Biennale Cuvée, O.K Center for Contemporary Art, Linz, Austria
Anstoß Berlin, Kunst macht Welt, Haus am Waldsee Berlin, Germany
Giving Visibility, Miami Beach Cinematheque, Miami, USA
Eine Frage (nach) der Geste, Oper Leipzig, Leipzig, Germany
Crossing the Screen, NRW Forum Kultur und Wirtschaft, Düsseldorf, Germany
sonambiente 2006, Akademie der Künste, Berlin, Germany
Festival In-Presentable, La Casa Encendida, Madrid, Spain
Start, Hangar Bicocca Milan, Italy
Nie Meer, De Warande Turnhout, Belgium
International Exhibitionist Screening, Curzon Soho Cinema, London, UK
Video Program, Musée d’art contemporain du Val de Marne, Vitry-sur-Seine, France
Wonder Women: Idols in Contemporary Art, Katonah Museum of Art, New York, USA
Everyday Heroes, Kulturzentrum Mainz, Mainz, Germany
Klartext Berlin, Kunstraum Niederösterreich, Vienna, Austria

The Experience of Art, Biennale di Venezia, Venice, Italy
Superstars, Kunsthalle Wien, Vienna, Austria
CUT: Film as Found Object, Milwaukee Art Museum, Milwaukee, USA
Girls on Film, Zwirner + Wirth Gallery, New York, USA
Fair Use , Armand Hammer Museum, Los Angeles, USA
From the Electronic Eye. Works from the Video Collection, Castello di Rivoli Turin, Italy
Guardami. Percezione del Video, Palazzo delle Papesse, Siena, Italy
Museo de Arte Contemporáneo de Castilla y León, MUSAC Fusion, León, Spain
Circa Berlin, Nikolaj Contemporary Art Center, Copenhagen, Denmark
Others, Sørlandets Kunstmuseum, Kristiansand, Norway
Artists Interrogate: Race and Identity, Milwaukee Art Museum, Milwaukee, USA
Manipulations, Centro Cultural Chacao, Caracas
Collection Pierre Huber, Le Musée cantonal des Beaux-Arts de Lausanne, Lausanne, Switzerland
11th Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Geneva, Switzerland
Africa Screams, Museum der Weltkulturen, Frankfurt am Main, Germany
Scrabble, Centro Atlántico de Arte Moderno, Las Palmas, Canary Islands
Bring Your Own: The Teseco Collection, Museo d’arte Provincia di Nuoro, Nuoro, Italy
Senza Confine, Galleria Continua, San Gimigniano, Italy
22nd Kassel Documentary, Film and Video Festival Kassel, Germany
36 × 27 × 10, Palast der Republik, Berlin, Germany
Global Tour , W139 Amsterdam, Netherlands
Moving On, NGBK Berlin, Germany
Aiwa To Zen, Tranzit, Prague, Czech Republic

TV Today , Montevideo Time Based Arts, Amsterdam, Netherlands
Africa Screams, Kunsthalle Wien, Vienna, Austria
The Work of the Work , Henry Art Gallery, Seattle, USA
Video Hits, Queensland Art Gallery, Brisbane, Australia
Music/Video, The Bronx Museum of the Arts, New York, USA
Why Not Live For Art?, Tokyo Opera City Art Gallery, Tokyo, Japan
Me Myself I, Kunstmuseum St. Gallen, St. Gallen, Switzerland
Villa Arson Shake, Nice, France
CUT: Film as Found Object, Museum of Contemporary Art, North Miami, USA
Shake Staatsaffäre, O.K Center for Contemporary Art, Linz, Austria
Museum für Photographie Aufruhr der Gefühle Braunschweig, Germany
Aufruhr der Gefühle, Kunsthalle Göppingen, Göppingen, Germany
Art Unlimited, Art 35 Basel, Basel, Switzerland
Any Place Any, Macedonian Museum of Contemporary Art, Thessaloniki, Greece
Videothek , Galerie der Stadt Wels, Wels, Austria
Strange Planet, Saltworks Gallery, Atlanta, USA
Gewalt, Loushy Art & Editions, Tel Aviv, Israel
Africa Screams, Iwalewa House Bayreuth, Germany
Visions of Paradise , João Ferreira Gallery Cape Town, South Africa
Through the Looking Glass, Albany History Museum, Grahamstown, South Africa
Open House: Art and the Public Sphere O.K Center for Contemporary Art, Linz, Austria
Democracy and Change, Klein Karoo National Arts Festival, Oudtshoorn, South Africa
Prototype: Contemporary Art from Joe Friday’s Collection, Carleton University Art Gallery Ottawa, Canada
Weiße Nächte Kiel Oben, Kunsthalle zu Kiel, Kiel, Germany
100 Handlungsanweisungen , Kunsthalle Wien, Vienna, Austria
Cabinet photographique érotique, Galerie Steinek, Vienna, Austria

fuckin’ trendy:, Kunsthalle Nürnberg, Mode in der zeitgenössischen Kunst Nürnberg, Germany
Continuity + Transgression , National Museum of Art Osaka, Osaka, Japan
Extended Play: Art Remixing Music, Govett-Brewster Art Gallery New Plymouth, New Zealand
Brightness Museum of Modern Art Dubrovnik Works from the Thyssen
Bornemisza Contemporary Art Foundation Dubrovnik, Croatia
Plunder, Dundee Contemporary Arts, Dundee, USA
Against All Evens Göteborg International Biennial for Contemporary Art, Sweden
Striptease, Sweden Kunstmuseum St. Gallen : Vom Verschleiern + Enthüllen in der Kunst St. Gallen,
Looks of Complicity, Centro Galego de Arte Contemporánea, Santiago de Compostela, Santiago, Chile
Some Things We Like…, aspreyjacques, London, UK
Pictured, Galleri Roger Björkholmen, Stockholm, Sweden
Anemic Cinema, Sketch, London, UK
Paradigms Longwood Art Gallery, Bronx, New York, USA
Cité des Arts Fins des Histoires? Une traversée plurielle, Chambéry, France

Remix: Contemporary Art and Pop Tate Liverpool, Liverpool, UK
Arte in VideoCastello di Rivoli, Rivoli, Italy
Continuity + Transgression National Museum of Modern Art Tokyo, Tokyo, Japan
Beyond the Image Wars in Science, Religion, and Art, ZKM Iconoclash Karlsruhe, Germany
Schrägspur, Hamburger Kunsthalle, Hamburg, Germany
Vidéo Topiques, Musée d’Art Moderne et Contemporain, Strasbourg, France
Screen Memories, Art Tower Mito Contemporary Art Center, Tokyo, Japan
Africaine , Studio Museum in Harlem, New York, USA
40 Jahre: Fluxus und die Folgen, Caligari FilmBühne, Wiesbaden, Germany
Emotional Site, Saga-cho Shokuryo Building, Tokyo, Japan
Centre of Attraction, 8th Baltic Triennial of International Art Vilnius, Lithuania
Superlounge , Gale Gates Brooklyn, New York, USA
In the Side of Television , Espai d’Art Contemporani de Castelló, Castellon, Spain
Anthony Wilkinson Gallery Candice Breitz, Christian Jankowski, Kenny Macleod, London, UK
Sublimation , Klein Karoo National Arts Festival Oudtshoorn, South Africa
Metropolis, Navy Pier, Chicago Art Fair, Chicago, USA
Total Überzogen, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
Solitudes, Galerie Michel Rein, Paris, France

Tele[Visions] Kunsthalle Wien, Vienna, Austria
Monet’s Legacy. Series: Order and Obsession Hamburger Kunsthalle, Hamburg, Germany
Looking at You, Museum Fridericianum, Kassel, Germany
Escape, Tirana Biennale 2001, Tirana, Albania
19th World Wide Video Festival 2001, Amsterdam, Netherlands
Su La Testa!, Palazzo Delle Papesse, Siena, Italy
Collection Frac Rhône-Alpes / Les Subsistances Sculpture Contemporaine Lyon, France
Electronic Maple, NY Center for Media Arts, New York, USA
Post-Production, Galleria Continua, San Gimigniano, Italy
18th Kassel Documentary, Film and Video Festival Kassel, Germany
Hallucinating Love Foundation, aspreyjacques, London, UK
My Generation, Atlantis Gallery, London, UK
En Avant, Galerie Grita Insam Vienna, Austria
Prodigal Prodigy, White Box, New York, USA
Song Poems, Cohan Leslie & Browne New York, USA
Galerie Mezzanin Group Exhibition Vienna, Austria

The Sky is the Limit!, Taipei Biennale 2000, Taipei, Taiwan
Man + Space , Kwangju Biennale Korea 2000 Kwangju, Korea
The Anagrammatical Body, ZKM Karlsruhe, Germany
The Wounded Diva, Kunstverein München, Munich, Germany
Das Lied von der Erde, Museum Fridericianum, Kassel, Germany
Körper, Fotogalerie Wien, Vienna, Germany
Horizons , Galleri Roger Björkholmen Stockholm, Sweden
face-à-face, Kunstpanorama Luzern, Lucerne, Switzerland
One-Night Stand, João Ferreira Gallery, Cape Town, South Africa
Tomorrow, Rare Art Gallery, New York, USA
30th Anniversary Benefit, White Columns, New York, USA
Translations, Bard Center for Curatorial Studies, New York, USA
Day Against Racial Discrimination Vienna Cinéma Le Pestel Akademie Wien, Vienna, Austria

The Passion and the Wave , 6th International Istanbul Biennial, Istanbul, Turkey
The Anagrammatical Body, Kunsthaus Mürzzuschlag, Mürzzuschlag, Austria
Global Art 2000 , Museum Ludwig Köln, Cologne, Denmark

Roteiros, Roteiros, Roteiros…, XXIV Bienal de São Paulo, São Paulo, Brazil
Interferencias, Canal de Isabel II, Madrid, Spain
Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands

Permutations, Artist’s Space, New York, USA
Heaven: A Private View, P.S.1 Contemporary Art Center, New York, USA
Graft, Johannesburg Biennale, Cape Town, South Africa
Funny Pictures, Ten in One Gallery, Chicago, USA
Me, Clementine Gallery, New York, USA
Silverstein Gallery June Show, New York, USA
Tran:sonic, Espacio 204, Caracas

Romper Room , Thread Waxing Space New York, USA
Inklusion/Exklusion, Neue Galerie Graz in Reininghaus Graz, Austria
Interzones, Kunstforeningen, Copenhagen, Denmark
Group Exhibition, The Space Gallery Johannesburg, South Africa

Black Looks/White Myths, Africana Museum Johannesburg, South Africa
Taking Liberties/The Body Politic, Johannesburg Biennale Johannesburg, South Africa

Awards and Merits

Prix International d’Art Contemporain l Fondation Prince Pierre de Monaco
Academic Record and Residencies


1998 – 2002
Doctoral Candidate in Art History – Columbia University (New York)

Whitney Independent Studio Program – Whitney Museum (New York)
M.Phil. Art History – Columbia University (New York)

M.A. Art History – University of Chicago (Chicago)

B.A. (Fine Arts) – University of the Witwatersrand (Johannesburg)

Residencies / Stipends

Baltic Centre for Contemporary Art (Gateshead)

Cité Internationale des Arts (Paris)

IASPIS International Artists’ Studio Program (Stockholm)

Künstlerhaus Bethanien International Artists in Residency Program (Berlin)
ArtPace International Artist-in-Residence Program (San Antonio)

O.K Center for Contemporary Art Upper Austria (Linz)

2000 Künstlerhaus Schloss Wiepersdorf (Wiepersdorf)


MOMA – The Museum of Modern Art (New York USA)
National Gallery of Canada (Ottawa Canada)
FNAC – Fonds national d’art contemporian (Puteaux, France)
Solomon R.Guggenheim Museum (Museum New York)
Castello di Rivoli (Tuim Italy)
Sammlung Goetz (Munich, Germany)
Hamburger Kunsthalle (Hamburg, Germany)
Kunstmuseum (St. Gallen, Switzerland)
Louisianna Muesum of Modern Art (Humlebaek Denmark)
Stadtische Galerie im Lenbachhaus (Munich, Germany)
Art Gallery of Western Austrilia (Perth, Austrilia)
Musee d’Art Moderne Grand-Duc Jean (Luxembourg)
MUSAC – Museo de Arte Contemporaneo de Castilla Y Leon (Leon, Spain)
Institut d’art Contemporain – Collection Frac Rhone – Alpes (Lyon, France)
Milwaukee Art Museum (Milwaukee, USA)
The Henry Art Gallery (Seattle, USA)
Kunstmuseum Lichteinstein (Vaduz, Lichtenstein)
MONA – The Museum of Old New Art (Tasmania, Australia)
QAG – Queensland Art Gallery (Brisbane, Australia)
SFMOMA – San Francisco Museum of Modern Art (San Francisco, USA)
AGO – Art Gallery of Ontario (Toronto, Canada)
MFA – Museum of Fine Arts (Boston, USA)
MAXXI – Museo nazionale delle arti del XXI secolo (Rome, Italy)
Institut fur Auslandsbeziehungen e.V. (Stuttgart, Germany)
Kunsthaus Bregenz (Bregenz, Austria)
National Museum of African Art (Washington, D.C, USA)
Thyssen-Bornemisza Art Contemporary (Vienna, Austria)
Sonnabend Collection (New York, USA)
Bill + Ruth True Collection (Seattle, USA)
Fondazione Teseco per l’Arte (Pisa, Italy)
CIFO – Cisneros Fontanals Art Foundation (Miami, USA)
Collezione Gemma Testa (Turin, Italy)
Anita + Poju Zabludowicz Collection (London, UK)
Dimitris Gigourtakis Collection (Athens, Greece)
The West Collection (Pennsylvania, USA)
Princess Gloria von Thurn und Taxis Collection (Regensburg, Germany)
Pinchuk Collection (Kiev, Ukraine)
David Roberts Collection (London, UK)
Colección Inelcom de Arte Contemporáneo (Madrid, Spain)
Fondazione Morra Greco (Naples, Italy)
Manilow Collection (Chicago, USA)

Selected Articles and Reviews


Zachary Cahill, Candice Breitz, Artforum, New York
Mary Corrigal, Identity Politics, Sunday Independent, South Africa
Mathew Krouse, Go Down ‘To The Woods’ Today, Mail & Guardian, Johannesburg

Sue Williamson, Candice Breitz in the studio with Sue Williamson, Art in America, United States
James Sey, Lead Review, Art Southafrica, South Africa
Natalie Watermeyer, Invading the Vitrine, Classicfeel, Johannesburg
Sean O’Toole, The White Elephant in the Room, Mail & Guardian, Johannesburg
O’Toole, Sean and Sirmans, Franklin (essays). Candice Breitz: Extra! (Johannesburg: Standard Bank
Gallery + South African National Gallery, 2011) exhibition catalogue.

Enwezor, Okwui et al (essay). Candice Breitz: The Scripted Life. (Bregenz: Kunsthaus Bregenz, 2010)
exhibition catalogue.

Burke, Gregory (editor). Candice Breitz: Same Same. (Toronto: The Power Plant Toronto, 2009)
exhibition catalogue.
Chris Kraus, Candice Breitz, ArtForum, New York
Glen Helfand, This is it, San Francisco Bay Guardian
Sarah Milroy, Seeing Double, Globe & Mail, Toronto
Ken Johnson, Art in Review: Candice Breitz, New York Times, New York
Hilarie Sheets, Clip Art, Art News, New York

Allen, Jennifer (essay). Candice Breitz / Inner + Outer Space. (Berlin: Temporäre Kunsthalle Berlin)
exhibition catalogue.
Holm, Michael Juul (editor). Candice Breitz: Louisiana Contemporary. (Humlebæk: Louisiana Museum of
Modern Art) exhibition catalogue.

Demos, T.J. (essay). Mother + Father / Monuments. (Monaco: Fondation Prince Pierre de Monaco – 41e
Prix International d’Art Contemporain) exhibition catalogue.
Zaya, Octavio (editor). Candice Breitz: Multiple Exposure. (Barcelona + León: ACTAR + MUSAC – Museo
de Arte Contemporáneo de Castilla y León).

Kintisch, Christine (editor). Candice Breitz: Working Class Hero. (Vienna: Bawag Foundation) exhibition
Lange, Christy (interview). Candice Breitz. (Seoul: Kukje Gallery) exhibition catalogue.
Potamianou, Artemis (editor). Candice Breitz. (Athens: Hellenic American Union) exhibition catalogue.
Andrew Graham-Dixon, Haunted Staircase: Candice Breitz Working Class Hero (A Portrait of John
Lennon), Seven Magazine, London

Charles Darwent, Shot by Both Sides, The Independent On Sunday, London
Andrew Graham-Dixon, Implosion of The Body-Snatched, The Sunday Telegraph, London
Richard Dorment, Screaming and Singing, The Daily Telegraph, London
Christy Lange, Crazy For You: Candice Breitz On Pop Idols and Portraiture, Modern Painters, London
Beccaria, Marcella (editor). Candice Breitz. (Rivoli-Torino: Castello di Rivoli) exhibition catalogue.
Himmelsbach, Sabine and von Sydow, Paula (editors). Candice Breitz: Mother. (Frankfurt: Revolver
Archiv für Aktuelle Kunst) exhibition catalogue.
Neri, Louise (editor). Candice Breitz. (London: White Cube) exhibition catalogue published by Jay
Jopling/White Cube, Francesca Kaufmann and Sonnabend Gallery.

Cotter, Suzanne (editor). Candice Breitz: Re-Animations. (Oxford: Modern Art Oxford) exhibition
Charlotte Mullins, Taking Shots at a Media-Saturated World, Financial Times, London

Tannert, Christoph (editor). Candice Breitz: Alien (Ten Songs from Beyond). (Essen: Museum Folkwang
im RWE Turm) exhibition catalogue.

Sturm, Martin and Plöchl, Renate (editors). Candice Breitz: Cuttings. (Linz: O.K Center for Contemporary
Art Upper Austria, 2001) exhibition catalogue.

Reference Books

Hoet, Jan et al. Collection Vanmoerkerke. (Brussels: Rispoli Books) pp. 30-31.

Fineberg, Jonathan. Art Since 1940: Stategies of Being. (Upper Saddle River: Prentice Hall) pp. 524-
Olivares, Rosa. 100 Videoartists. (Madrid: Exit Publications) pp. 114-115.
Williamson, Sue. South African Art Now. (New York: Harper Collins Publishers) pp. 258-261.
Williamson, Sue. South African Art Now. (New York: Harper Collins Publishers) pp. 258-261.

Belting, Hans et al. The Global Art World. (Ostfildern: Hatje Cantz) p. 343.
Cesci, Mario (editor). Future Images. (Milan: Motta Cultura) pp. 56-57.
Coulter-Smith, Graham. Deconstruyendo las instalaciones – Deconstructing Installation Art. (Madrid:
Brumaria A.C.,) pp. 170-175.
Ebersberger, Eva et al. Thyssen-Bornemisza Art Contemporary – The Collection Book. (Cologne: Verlag
der Buchhandlung Walther König,).
Haeußler, Harriet et al. Aus Künstlersicht. (Bielefeld: Kerber Art).
Saehrendt, Christian et al. Das kann ich auch! Gebrauchsanweisung für Moderne Kunst. (Cologne:
DuMont) pp.43-45.
Young, Paul (editor). Art Cinema. (Cologne: Taschen GmbH).
Enwezor, Okwui and Okeke-Agulu Chika. Contemporary African Art Since 1980. (Bologna: Damiani

Beccaria, Marcella et al. Castello di Rivoli – The Castle The Collection. (Milan: Skira Editore S.p.A.) pp. 156-157.
Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid Economy. (New York: Penguin
Uccelli, Alessandro et al. Arte Contemporanea Contaminazioni. (Milan: Mondadori Electa S.p.A.).
von Heydebreck, Amélie et al. Stations – 100 Meisterwerke zeitgenössischer Kunst. (Cologne: DUMONT
Literatur und Kunst Verlag,) pp. 182-183.
Zenth, Torben (editor). Ny Dansk Kunst 08 / New Danish Art 08. (Copenhagen: Kopenhagen Publishing)
pp. 108-113.

Edelsztein, Sergio et al. Ice Cream: Contemporary Art in Culture. (London: Phaidon Press Limited).
Matt, Gerald. Interviews. (Cologne: Verlag der Buchhandlung Walther König) pp. 58-65.
Rush, Michael. Video Art. (London: Thames & Hudson) pp. 222-223.
Smith, Kathryn. One Million and Forty-Four Years (and Sixty Three Days): A Sampler. (Stellenbosch:
SMAC Gallery, University of Stellenbosch, 2007).

Demeester, Anne et al. W139 – Amsterdam. Report of an Ongoing Journey. (Amsterdam: W139).
Gisbourne, Mark et al. Kunst Station Berlin. (Munich: Knesebeck Verlag) pp. 40-49.
Gisbourne, Mark et al. Berlin Art Now. (London: Thames & Hudson) pp. 40-49.
Holm, Michael Juul and Kold, Anders (editors). Sip My Ocean: Video from the Louisiana Collection.
(Humlebaek: Louisiana Museum of Modern Art) exhibition catalogue.
Martin, Sylvia. Video Art. (Cologne: Taschen) pp. 36-37.

2005 Gianelli, Ida and Beccaria, Marcella. Video Art: The Castello di Rivoli Collection. (Milan: Skira, 2005) pp.66-67.
Grosenick, Uta. ART NOW: The New Directory to 136 International Contemporary Artists. (Cologne:
Yáñez. Isabel and Ordás, Carlos (editorial coordination). MUSAC: Collection Vol. 1. (León: Museo de Arte
Contemporáneo de Castilla).

Perryer, Sophie. 10 Years 100 Artists / Art in a Democratic South Africa. (Cape Town: Bell-Roberts
Publishing / Struik Publishers) pp. 74-77.

Gianelli, Ida and Beccaria, Marcella. Castello di Rivoli Museum of Contemporary Art: The Castle – The
Collection. (Turin: Umberto Allemandi & C) p. 114.
Groetz, Thomas. Galerie Max Hetzler: Berlin 1994 – 2003. (Berlin: Holzwarth Publications).
Pace, Linda et al. Dreaming Red: Creating ArtPace. (Verona: Artegrafica).

Grosenick, Uta and Riemschneider, Burkhard. ART NOW: 137 Artists at the Rise of the New Millennium.
(Cologne and Berlin: Taschen).


2009 Burke, Gregory. Candice Breitz speaks to Gegory Burke, Switch (Toronto: The Power Plant – Volume 1.2:
Summer) pp. 10–14.
2008 Matt, Gerald. `Sound Minds: Gerald Matt in Conversation with Candice Breitz,’ in: Rosenberg, Angela
(editor). Candice Breitz / Inner + Outer Space, (Berlin: Temporaere Kunsthalle Berlin) exhibition catalogue.
2007 Beccaria, Marcella. Family Values: An Interview by Marcella Beccaria with Candice Breitz, Janus (No. 21:
January) Section III: pp. 2-11.
2007 Matt, Gerald. Candice Breitz, Interviews. (Cologne: Verlag der Buchhandlung Walther König) pp. 58-65.
2006 Kedves, Jan. Interview: Candice Breitz, Zoo Magazine (No. 12) pp. 138-145.
2005 Chambers, Nicholas. Candice Breitz: Mother + Father – Interview with Nicholas Chambers, Artlines
(Queensland Art Gallery, South Brisbane – Volume 2) pp. 12-15.
2005 Lange, Christy. Crazy for You: Candice Breitz on Pop Idols & Portraiture, Modern Painters (London:
September) pp. 68-73.
2005 Neri, Louise. Candice Breitz and Louise Neri: Eternal Returns, in: Neri, Louise (editor). Candice Breitz.
(London: White Cube) exhibition catalogue published by Jay Jopling/White Cube, Francesca Kaufmann and
Sonnabend Gallery.
2004 Kröner, Magdalena. Candice Breitz: Schreien, Stottern, Singen: Das Playback des Ich: Ein Gespräch mit
Magdalena Kröner, Kunstforum (No. 168: January – February) pp. 276-283.
2003 Stange, Raimar. Zurück in die Kunst. (Hamburg: Rogner & Bernhard bei Zweitausendeins).
2001 Altstatt, Rosanne. Killing Me Softly… An Interview with Candice Breitz Kunst-Bulletin (No. 6: June) pp. 30-
2000 Hunt, David. Candice Breitz: Fighting Words, Flash Art (No. 211: March – April) p. 94.
1996 Atkinson, Brenda. Rethinking Pornography: Imaging Desire (Candice Breitz interviewed by Brenda
Atkinson ,Camera Austria (No. 56).

Selected Books + Catalogues

2011 Bertz, Inka et al (editors). Heimatkunde: 30 Künstler blicken auf Deutschland, (Berlin: Jüdischen
Museum Berlin, 2011) exhibition catalogue.
2011 Goldberg, RoseLee (editor). Performa 09: Back to Futurism, (New York: Performa Publications)
published as a record of Performa 09 (November 1-22, 2009).
2011 Ngui, Matthew et al (editors). Singapore Biennale 2011: Open House. (Singapore) exhibition catalogue.
2011 Ruelfs, Esther and Stooss, Toni (editors). Rollenbilder – Rollenspiele, (Salzburg: Museum der Moderne
Salzburg Mönchsberg) exhibition catalogue.

2010 Balsom, Erika. Cinema, Scattered’ in: Poddar, Sandhini et al, Being Singular Plural: Moving Images from
India. (New York: Guggenheim Museum Publications) exhibition catalogue.
2010 Barson, Tanya and Gorschlüter, Peter. Afro Modern: Journeys through the Black Atlantic, (London: Tate
Publishing) exhibition catalogue.
2010 Demos, T.J. Dara Birnbaum: Technology / Transformation: Wonder Woman, (London: Afterall Books).
2010 Enwezor, Okwui (editor). Events of the Self: Portraiture and Social Identity,Contemporary African
Photography from The Walther Collection (Neu-Ulm: Steidl Verlag).
2010 Lee, Yongwoo (editor). The Flower of May, (Gwangju: Gwangju Museum of Art / Gwangju Biennale
Foundation) exhibition catalogue.
2010 Sorensen, Jens Erik et al (editor). I Love You, (Aarhus: ARoS Aarhus Kunstmuseum) exhibition
2010 Essers, Liza (editor). In Context, (Johannesburg: Goodman Gallery) exhibition catalogue.
2010 Wallace, Miranda (editor). _21st Century: Art in the First Decade _(Brisbane: Queensland Art Gallery /
Gallery of Modern Art) exhibition catalogue.

2009 Gelin, Celia (editor). What A Wonderful World, (Gothenburg: Göteborg International Biennial for
Contemporary Art) exhibition catalogue.
2009 Minami, Yuki (editor). Mute 2, (Tokyo: Tanin Inc).
2009 Ruelfs, Esther et al. (editor) Images Recalled. 3. Fotofestival Mannheim Ludwigshafen Heidelberg.
(Heidelberg: Kehrer) exhibition catalogue.
2009 Zsolt, Petrányi et al. (curator). Mi Vida. From Heaven To Hell, (Budapest: Mücsarnok / Kunsthalle
Budapest) exhibition catalogue.
2009 Bara, Tina et al (curator). Eine Frage (nach) der Geste / A Question(ing) of Gesture, (Leipzig: Oper
Leipzig) exhibition catalogue.

2008 Behm, Anthea. The Chrissy Diaries, in: Kokoli, Alexandra (editor). Feminism Reframed – Reflections on
Art and Difference. (Newcastle: Cambridge Scholars Publishing) pp. 107-135.
2008 Bosland, Joost et al (curator). Disguise: The Art of Attracting and Deflecting Attention, (Cape Town:
Michael Stevenson Gallery) exhibition catalogue.
2008 Brougher, Kerry et al. The Cinema Effect: Illusion, Reality, and the Moving Image, (Washington, DC:
Hirshhorn Museum & Sculpture Garden) exhibition catalogue.
2008 Kataoka, Mami et al (curator). Laughing in a Foreign Language, (London: The Hayward, Southbank
Centre) exhibition catalogue.
2008 Kissane, Seán et al (editor). Order. Desire. Light, Contemporary Drawing. (Dublin: The Irish Museum of Modern Art) exhibition catalogue.
2008 Luckow, Dirk (editor). Heavy Metal: Die unerklärbare Leichtigkeit eines Materials. (Kiel: Kunsthalle zu Kiel) exhibition catalogue.
2008 Robinson, Deborah (curator). Starstruck: Contemporary Art and the Cult of Celebrity, (Walsall: The New Art Gallery Walsall) exhibition catalogue.
2008 Von Fürstenberg, Adelina (curator). Colateral 2: Quando a arte olha o cinema, (São Paulo: SESC
Avenida Paulista) exhibition catalogue.

2007 Boellert, Arvid et al (editor). XIV. Rohkunstbau: Drei Farben – Weiss. (Potsdam: Schloss Sacrow)
exhibition catalogue.
2007 Di Pietrantonio, Giacinto and Rodeschini, Maria Cristina. The Future of Futurism. (Bergamo: GAMeC –
Galleria d’Arte Moderna e Contemporanea) exhibition catalogue.
2007 Fraser, Marie (editor). Replaying Narrative – Le Mois de la Photo à Montréal. (Montreal: Vox
Contemporary Image) exhibition catalogue.
2007 Neilson, Elizabeth (curator). The Zabludowicz Collection: An Archaeology, (London: Project Space 176)
exhibition catalogue.
2007 Nöring, Hermann (curator). Final Cut: Media Art and Cinema, (Osnabrück: European Media Art Festival
2007 / Rasch Druckerei und Verlag GmbH & Co. KG) exhibition catalogue.
2007 Von Fürstenberg, Adelina (curator). Collateral: When Art Looks at Cinema. (Milan: Charta) exhibition

2006 Aupetitallot, Yves et al (editors). Review: Vidéos & Films de la Collection Pierre Huber. (Grenoble: Le
Magasin, Centre National d’Art Contemporain) exhibition catalogue.
2006 Block, René et al (curator). Art, Life & Confusion / 47th October Salon (Belgrade: Belgrade Cultural
Centre) exhibition catalogue.
2006 Blomberg, Katja (curator). Anstoss Berlin – Kunst macht Welt. (Berlin: Haus am Waldsee) exhibition
2006 Decter, Joshua (curator). Dark Places. (Los Angeles: Santa Monica Museum of Art) exhibition
2006 De la Motte-Haber, Helga et al. Sonambiente Berlin: Klang Kunst Sound Art. (Heidelberg: Kehrer Verlag)
exhibition catalogue.
2006 Doswald, Christoph. Double-Face: The Story About Fashion and Art. From Mohammed to Warhol. (St.
Gallen: Schnittpunkt – Kunst und Kleid St. Gallen / JRP|Ringier) exhibition catalogue.
2006 Elliott, David et al. Tokyo-Berlin / Berlin-Tokyo. (Tokyo: Mori Art Museum) exhibition catalogue.
2006 Holm, Michael Juul. Tragedy Framed: Mother + Father, in: Holm, Michael Juul and Kold, Anders (editors).
Sip My Ocean: Video from the Louisiana Collection. (Humlebaek: Louisiana Museum of Modern Art) exhibition
2006 Knol, Meta (curator). This is America: Visies op de Amerikaanse Droom, (Utrecht: Centraal Museum)
exhibition catalogue.
2006 Le Bas, Clarisse. Figures de l’acteur, Le Paradoxe du comédien. (Avignon: Collection Lambert)
exhibition catalogue.
2006 Ramljak, Suzanne (curator). Wonder Women: Idols in Contemporary Art,. (New York: Katonah Museum of
Art) exhibition catalogue.
2006 Schneider, Angela et al. Berlin-Tokyo / Tokyo-Berlin. Die Kunst zweier Städte, (Berlin: Neue
Nationalgalerie) exhibition catalogue.
2006 Stange, Raimar (curator). Klartext Berlin. (Vienna: Kunstraum Niederösterreich) exhibition catalogue.

2005 Aupetitallot, Yves (editor). Private View, 1980 – 2000. Collection Pierre Huber. (Lausanne: Musée
cantonal des Beaux-Arts de Lausanne) exhibition catalogue.
2005 Breyer, Insa et al. Moving On, (Berlin: Neue Gesellschaft für Bildende Kunst) exhibition catalogue.
2005 Demeester, Anne et al. Global Tour: Art, Travel & Beyond, (Amsterdam: W139) exhibition catalogue.
2005 Falch, Frank et al. Andre / Others. (Kristiansand: Sørlandets Kunstmuseum) exhibition catalogue.
2005 Fusi, Lorenzo (editor). Guardami. Percezione del Video, (Siena: Palazzo delle Papesse Centro Arte
Contemporanea) exhibition catalogue.
2005 Hull, Steven. Ab Ovo, (Italy: Graphicom / Nothingmoments Publishing).
Martignoni, Rossella and Mian, Martina (coordinators). 51. Biennale di Venezia: The 2005 Experience of Art
(Venice: Fondazione La Biennale di Venezia) exhibition catalogue.
2005 Matt, Gerald (curator) and Mittersteiner, Sigrid (editor). Superstars: Das Prinzip Prominenz von Warhol
bis Madonna, (Vienna: Kunsthalle Wien) exhibition catalogue.
2005 Mézil, Éric et al. Theorema, A Private Collection in Italy, The Enea Righi Collection. (Avignon: Collection
Lambert en Avignon) exhibition catalogue.
2005 Sheikh, Simon and Hansen, Elisabeth Delin (curators). Circa Berlin. (Copenhagen: Nikolaj, Copenhagen
Contemporary Art Center,) exhibition catalogue.

2004 Basilico, Stefano (editor). CUT: Film as Found Object in Contemporary Video, (Milwaukee: Milwaukee Art Museum) exhibition catalogue.
2004 Brown, Elizabeth (curator). WOW: The Work of the Work, (Seattle: Henry Art Gallery) exhibition
2004 Dezuanni, Rebecca et al. Video Hits: Art & Music Video, (South Brisbane: Queensland Art Gallery)
exhibition catalogue.
2004 Dyer, Richard. Is a Memory Something You Have, or Something You Have Lost, in: Grant, Catherine et
al. Electronic Shadows: The Art of Tina Keane (London: Black Dog Publishing) p. 74.
2004 Fischer-Schreiber, Ingrid and Edlinger, Thomas. Open House. Art and the Public Sphere. (Linz: O.K
Center for Contemporary Art Upper Austria) exhibition catalogue.
2004 Koh, Germaine (curator and editor). Prototype: Contemporary Art from Joe Friday’s Collection. (Ottawa: Carleton University Art Gallery) exhibition catalogue.
2004 Matt, Gerald. Handlungsanweisungen, (Vienna: Kunsthalle Wien / Steidl Verlag) exhibition catalogue.
2004 Okeke, Chika. Lost in Translation: Dilemmas of a Strange Planet, in: Byrd, Cathy (editor). Strange
Planet. (Atlanta: Ernest G. Welch School of Art & Design Gallery / Georgia State University & Saltworks
Gallery) exhibition catalogue.
2004 Ratzeburg, Wiebke et al. Aufruhr der Gefühle: Leidenschaften in der zeitgenössischen Fotografie und
Videokunst. (Braunschweig: Museum für Photographie Braunschweig) exhibition catalogue.
2004 Rollig, Stella et al. Open House: Art and the Public Sphere (Linz: O.K Center for Contemporary Art Upper Austria) exhibition catalogue.
2004 Savvidis, Christos et al. Art – Immigration – Utopia: Any Place Any, (Thessaloniki: Macedonian Museum of Contemporary Art) exhibition catalogue.
2004 Schmahmann, Brenda. _Through the Looking Glass: Representations of Self by South African Women
Artists-, (Johannesburg: David Krut Publishing) exhibition catalogue.
2004 Wendl, Tobias et al. Africa Screams: Das Böse in Kino, Kunst und Kult, (Wuppertal: Peter Hammer
Verlag) exhibition catalogue.

2003 Allen, Jennifer. Candice Breitz: From A to B and Beyond, in: Cotter, Suzanne (editor). Candice Breitz: ReAnimations,
(Oxford: Modern Art Oxford) exhibition catalogue.
2003 Bourriaud, Nicolas. Postproduction: Sampling, Programming, Displaying, (San Gimignano: Galleria
Continua) exhibition catalogue.
2003 Burke, Gregory and Rees, Simon. Extended Play: Art Remixing Music, (New Zealand: Govett-Brewster Art
Gallery) exhibition catalogue.
2003 Seifermann, Ellen. fuckin’ trendy – Mode in der zeitgenössischen Kunst. (Nürnberg: Kunsthalle
Nürnberg) exhibition catalogue.
2003 Stange, Raimar. Zurück in die Kunst. (Hamburg: Rogner & Bernhard bei Zweitausendeins).
2003 Takeshita, Miyako and Torii, Izumi. Emotional Site, (Tokyo: Shokuryo Building) exhibition catalogue.
2003 Von Hausswolff, Carl Michael and Nohlström, Åsa. Against All Evens: 2nd International Biennial for
Contemporary Art in Göteborg. (Göteborg: Hasselblad Center) exhibition catalogue.
2003 Wigram, Max et al. Brightness: Works from the Thyssen-Bornemisza Contemporary Art Foundation.
(Dubrovnik: Museum of Modern Art Dubrovnik) exhibition catalogue.

2002 Fichtner, Heidi et al. The 8th Baltic Triennial of International Art: Centre of Attraction. (Vilnius:
Contemporary Art Centre, 2002) exhibition catalogue.
2002 Kazuko, Koike et al. Emotional Site, (Tokyo: Saga-cho Shokuryo Building) exhibition catalogue.
2002 Latour, Bruno and Weibel, Peter. Iconoclash: Beyond the Image Wars in Science, Religion, and Art,
(Karlsruhe: ZKM Center for Art and Media, 2002) exhibition catalogue.
2002 Marzo, Jorge Luis et al. En el lado de la televisión, (Castellon: Espai d’Art Contemporani de Castelló)
exhibition catalogue.
2002 Nakabayashi, Kazuo et al. A Perspective on Contemporary Art: Continuity / Transgression, (Tokyo: The
National Museum of Modern Art) exhibition catalogue.
2002 Osaka, Eriko and Kotakemori, Yuka. Screen Memories, (Japan: Contemporary Art Gallery, Art Tower Mito)
exhibition catalogue.
2002 Van den Berg, Clive et al. Klein Karoo National Arts Festival, exhibition catalogue.
2002 Wallis, Simon (curator). Remix, (Liverpool: Tate Liverpool) exhibition catalogue.

2001 Decter, Joshua et al. Televisions, Kunst sieht Fern. (Vienna: Kunsthalle Wien) exhibition catalogue.
2001 Heinrich, Barbara. Looking At You, (Kassel: Kunsthalle Fridericianum) exhibition catalogue.
2001 Phillips, Christopher. Candice Breitz: Four Installations’ in: Sturm, Martin and Plöchl, 2001 Renate.
Candice Breitz: CUTTINGS. (Linz: O.K Center for Contemporary Art Upper Austria) exhibition catalogue.
2001 Politi, Giancarlo (editor). Tirana Biennale 1. (Tirana: National Gallery & Chinese Pavilion: September 15
– October 15) exhibition catalogue.
2001 Smith, Kathryn. Convergence/Divergence: Voyages into Mutant Technologies’ in: Southsul
(Johannesburg, March) exhibition catalogue.
2001 Tegelaers, Theo et al. Prodigal Prodigy, (New York: White Box) exhibition catalogue.
2001 Wappler, Friederike. The Piece goes on… Prozesskunst, Video und endlos währende Repetition’ in:
Schneede, Uwe et al. Monets Vermächtnis. Serie – Ordnung und Obsession. (Hamburg: Hatje Cantz Verlag /
Hamburger Kunsthalle) exhibition catalogue.

2000 Colombo, Paolo (curator). 6th International Istanbul Biennial: The Passion and the Wave: Book 2.
(Istanbul: 6th International Istanbul Biennial) exhibition catalogue.
2000 Eiblmayr, Silvia et al. Die verletzte Diva, Hysterie, Körper, Technik in der Kunst des2013/12/06
Jahrhunderts. (Munich: Kunstverein München) exhibition catalogue.
2000 Heinrich, Barbara. Das Lied von der Erde. (Kassel: Kunsthalle Fridericianum) exhibition catalogue.
2000 Sans, Jérôme and Hsu, Manray (curators). The Sky is the Limit: 2000 Taipei Biennial, (Taipei: Taipei Fine Art Museum) exhibition catalogue.
2000 Scheps, Marc et al. Kunstwelten im Dialog: Von Gauguin zur globalen Gegenwart. (Cologne: Museum
Ludwig Köln) exhibition catalogue.
2000 Sung-kwan, Cho. Man + Space: Kwangju Biennale, (Kwangju: Kwangju Biennale) exhibition catalogue.

1999 Atkinson, Brenda and Breitz, Candice (editors). Grey Areas: Representation, Identity and Politics in
Contemporary South African Art, (Johannesburg: Chalkham Hill Press).
1999 Colombo, Paolo (curator). 6th International Istanbul Biennial: The Passion and the Wave: Book 1.
(Istanbul: 6th International Istanbul Biennial, 1999) exhibition catalogue.

1998 Herkenhoff, Paulo and Pedrosa, Adriano (editors). XXIV Bienal de São Paulo: Roteiros. Roteiros.
Roteiros. Roteiros. Roteiros. Roteiros. Roteiros (Volume 1), (São Paulo: Takano Editora Gráfica Ltda)
exhibition catalogue.
1998 Zaya, Octavio (editor). Interferencias, (Madrid: Tabapress) exhibition catalogue.

1997 Enwezor, Okwui and DeBord, Matthew (editors). Trade Routes: History and Geography, (Johannesburg:
2nd Johannesburg Biennale) exhibition catalogue.
1997 Weibel, Peter (editor). Inklusion/Exklusion: Art in the Age of Postcolonialism and Global Migration.
(Cologne: Dumont) exhibition catalogue.

996 Michelson, Anders and Zaya, Octavio (editors). Interzones: A Work In Progress, (Kunstforeningen:
Copenhagen) exhibition catalogue.

1995 Mosaka, Tumelo and Zaya, Octavio. Black Looks: White Myths, (Johannesburg: 1st Johannesburg
Biennale) exhibition catalogue.

Selected Periodicals

2011 Beckstette, Sven (moderator). In Favour of Transparency: A roundtable conversation on collectors and
collections with Candice Breitz, Peggy Buth, Jonathan Monk and Andreas Siekmann’ Texte zur Kunst (Issue
83: September) pp. 76-93.
2011 Bördner, Christiane (editor). Candice Breitz: Mother and Father, I Love You (Issue 6: Spring, 2011) p.48-49.
2011 Harms, Ingeborg. Was sich Sammler so trauen, Frankfurter Allgemeine Zeitung (Frankfurt: October 21,
2011 Schillinger, Jakob. The Prosumer Version: Art from the Masses, Flash Art International (Milan – No. 280: October, 2011) pp. 86-89.

2010 Badrutt-Schoch, Ursula. Candice Breitz – Wer bin ich und weshalb?, Kunst-Bulletin (Zürich: April ) pp. 26- 31.
2010 Buys, Anthea. Sprawling tales of home, Mail and Guardian (Cape Town: May 28).
2010 Cobolli Gigli, Nicoletta. La vita è come un copione, Arte (Milan: February) pp. 74-77.
2010 Corrigall, Mary. The Grey Areas’ debate 14 years later, The Sunday Independent (Johannesburg: June
2010 D’Aguiar, Fred. Behind the masks’ The Guardian (London: January 30) pp. 16-17.
2010 De Jager, Maureen. Aberrant Light and Colour (After the Rainbow), Art South Africa (Cape Town –
Volume 9.1: Spring) pp. 104-106.
2010 Golling, Marcus. Afrika von Innnen, Augsburger Allgemeine Zeitung (Augsburg: June 11).
2010 Greer, Bonnie. Afro Modern: Journeys through the Black Atlantic, The Times (Lond n: January 28).
2010 Heather, Rosemary. Candice Breitz talks to Rosemary Heather, APEngine Online (London: June 19).
2010 Jones, Jonathan. ‘Afro Modern: Tate Liverpool,’ The Guardian (London: January 30, 2010) p. 44.
2010 Kollros, Petra. Der erste Auftritt gehört Afrika, Südwest Presse (Ulm: June 10).
2010 Lee, Edmund. Culture(s) of Copy, Timeout Hongkong (Hong Kong: July 7).
2010 Milner, Johnny W.A.. Art channels pop, Helsinki Times (Helsinki: March 18).
2010 Murray, Soraya. Candice Breitz: Estereotipos del pop, Exit Express (Madrid – No. 4 9: February) pp. 72- 73.
2010 Nicolin, Paola. The Rustle of Language, Artforum Online (New York: January 13).
2010 Okeke-Agulu, Chika. Afro Modern: Journeys through the Black Atlantic, Artforum (New York: January) p.
2010 Ross, Trine. Meryls mange masker, Politiken (Copenhagen: June 19).
2010 Ruppert, Harald. Candice Breitz im Kunstmuseum Bregenz, Suedkurier (Konstanz: February 15).
2010 Schilling, Leonie. Candice Breitz esplorando identidades, Arte al Limite (Santiago de Chile – No. 41:
March / April) pp. 120-126.
2010 Schindler, Feli. Zwillinge und Hollywoodstars, Basler Zeitung (Basel: March 24).
2010 Sey, James and Dubin, Steven. Final Whistle, Art South Africa (Cape Town – Volume 9.1: Spring) pp. 70- 78.
2010 Sommer, Tim. Studio: Candice Breitz, Art (Hamburg: March) pp.12-13.
*2010*Sonna, Birgit. Der Spalt im Medienkorsett, Art Online (Hamburg: February 8).
2010 Spont, Marya. Analyzing Mass Media through Video Art Education: Popular Pedagogy and Social
Critique in the Work of Candice Breitz, Studies in Art Education: A Journal of Issues and Research (Volume 51 / Issue 4: Summer) pp. 295–314.
2010 Stange, Raimar. Fiktiv(e) Leben?, Kunstforum International (Ruppichteroth – No. 204: October –
November) pp. 58-65.
2010 Tagliafierro, Marco. The Rustle of Language, Artforum (New York: March) p. 263.
2010 Vogel, Sabine B.. Kunsthaus: Nicht ohne meine Schwestern, Die Presse (Vienna: April 2).
2010 Von Naso, Rüdiger. Mit der Pop-Kultur auf Du und Du, Madame (Munich – No. 03).
2010 Werneburg, Brigitte. White Box, Black House, Die Tageszeitung (Berlin: June 5).

2009 Ashby, Keith. Hybrid morals, Times Literary Supplement (London – No 5529: March 20).
2009 Bennett, Laura. Strike a Pose, The Boston Globe (Boston: July 17).
2009 Bishop, Claire. Trial and Error, Artforum Online (New York: 27 November).
2009 Cook, Greg. More Than a Feeling, The Boston Phoenix (Boston: July 24).
2009 Cornell, Peter. Polyglottolalia / Tensta konsthall, Expressen (Stockholm: April 1).
2009 Cash, Stephanie. Candice Breitz at Yvon Lambert, Art in America (New York – No. 6: June / July) pp. 189- 190.
2009 Ermen, Reinhard. Klang Skulptur, Kunstforum International (Ruppichteroth – No. 199: October –
December) pp. 353-354.
2009 Esplund, Lance. Candice Breitz: Him + Her, The Wall Street Journal (New York: March 14–15) p. W12.
2009 Falconer, Morgan. Film and video, The Burlington Magazine (London – No. 1274: May) pp. 345-347.
2009 Frey, Roswitha. Der Rhythmus der Steinmetze, Badische Zeitung (Freiburg: August 25).
2009 Helfand, Glen. This is it, San Francisco Bay Guardian (San Francisco – Vol. 44, No. 6: November 11).
2009 Hofmann, Niklas. Klotzen statt Klecksen, Sueddeutsche Zeitung (Munich: August 3).
2009 Johnson, Ken. Art in Review: Candice Breitz, New York Times (New York: March 6) p. C28.
2009 Jönsson, Dan. What a wonderful world_, på Göteborgs internationella konstbiennal Dagens Nyheter
(Stockholm: September 10).
2009 Kedves, Jan. Candice Breitz, SPEX (Berlin – No. 318: January / February) pp. 56-58.
2009 Kraus, Chris. Candice Breitz, Artforum (New York: December) pp. 244-245.
2009 Latimer, Quinn. She Said, He Said, Modern Painters (New York: February) p.24.
2009 Milroy, Sarah. Seeing Double, Globe and Mail (Toronto: September 22) p. R1.
2009 Prickett, Sarah Nicole. Art Star Risen, Fashion (Toronto: November) p. 94.
2009 Rubin, Nadine. Candice Breitz, Art South Africa (Johannesburg – Volume 7.4: June).
2009 Scharf, Jürgen. Ein Spiel mit Raum und Zeit, Suedkurier (Konstanz: August 26).
2009 Sheets, Hilarie. Clip Art, Art News (New York: February) pp. 88 – 91.
2009 Spencer, Rosie. Performa breaks into new territory, The Art Newspaper (New York: 11).
2009 Stern, Steven. Prospect.1 New Orleans, Frieze (Issue 120: January – February).
2009 Stokes, Emily. Performa 09, New York, The Financial Times (London: November 17).
2009 Tüting, Linda-Luise. Gruppentherapie mit Jack, Artinvestor (München: No.01) pp. 94-97.
2009 Wahjudi, Claudia. Candice Breitz, Kunstforum (Ruppichteroth – No. 195: January – March) p.290-293.
2009 Warner, Anna. Mycket Meryl py Hertig Johans torg, Skaraborgs Allehanda (Skövde: October 3).
2009 Whyte, Murray. Seeing double, and thinking twice, Toronto Star (Toronto: November 1) p. E5.
2009 Woodman, Tenley. MFA ’Seeing’ beauty in a more modern Madonna, The Boston Herald (Boston: July 1).
2008 Balslev, Nanna. Billeder af en fankultur, Nyhedsavisen (Copenhagen: January 9) p. 35.
2008 Bucher, Heike. Vom Rauben und Kopieren der Kunst, Tageblatt (Luxembourg: April 10).
2008 Büsing, Nicole et al. Pulsschlag aus Stahl, Der Spiegel Online (Hamburg: December 6).
2008 Casadio, Mariuccia. Self Exposure, Vogue Italia (Milan – No. 689: January) p. 260.
2008 Casadio, Mariuccia. Colorful, Vogue Italia (Milan – No. 695: July) p. 256.
2008 Clarinval, France. Appropriation et recyclages dans l’art, Le Quotidien (Luxembourg: April 24).
2008 Darwent, Charles. When you’re outside it, the joke is no laughing matter, The Independent (London:
February 3).
2008 De Rochebouët, Béatrice. La vidéaste Candice Breitz met ses fans en scène, Le Figaro (Paris: April 24)
p. 29.
2008 Dietsch, Deborah. Kinetic Realisms of social, political themes, The Washington Times (Washington DC:
June 20).
2008 Diez, Georg. Atelierbesuch Candice Breitz, Die Zeit Magazin Leben (Hamburg – No. 18: April 24) pp. 38- 40.
2008 Diez, Georg. Heiterkeit an der Oberfläche, Sueddeutsche Zeitung (München: October 30) p. 18.
2008 Dorment, Richard. Beyond A Joke, The Daily Telegraph (London: February 5) p. 27.
2008 Dunne, Aidan. Poignant images from a region apart, The Irish Times (Dublin: July 23) p. 15.
2008 Enoch, Martin. Lennons fans synger, MetroXpress (Copenhagen: January 17) p. 40.
2008 Fagerström, Linda. En kör av solister, Helsingborgs Dagblatt (Helsingborg: January 16) p. 34.
2008 Goddard, Peter. Humiliating music makes amusing art, The Toronto Star (Toronto: October 18)
2008 Gopnik, Blake. Take Time to Rewind at the Hirshhorn’s ‘Realisms’, The Washington Post (Washington
DC: June 21).
2008 Griveau, Anne-Laure. Candice Breitz, REDUX (Anglet – No. 26: January).
2008 Grimley, Terry. The modern phenomenon of fame, The Birmingham Post (Birmingham: April 29).
2008 Hansen, Josée. I’ll be your mirror, D’Lëtzebuerger Land (Luxembourg: August 22).
2008 Haun, Anne et al. Jetzt rappelts in der Kiste, Weltkunst Contemporary (Munich – No. 04/2008: October)
pp. 24 – 27.
2008 Hemmer, Martine. Popstars als Spiegelbilder von Fan-Fantasien, Saarbrücker Zeitung (Saarbrücken:
June 7).
2008 Hermansen, Tom. Mennesket I mængden, Jyllands Posten (Jylland: January 9) p. 15.
2008 Heilmann, Julia. Bilder für Flaneure, Berliner Morgenpost (Berlin: October 26) p. 21.
2008 Heilmann, Julia. Eine Halle für die Kunst, Welt am Sonntag (Berlin: October 26) p. 29.
2008 Heinz, Andreas. Die Kunst steckt im Wolkenkasten, Neues Deutschland (Berlin: October 29) p. 11.
2008 Hirou, Amandine. Vive Abba!, L’Express Styles (Paris: January 17) pp.6-7.
2008 Ifversen, Karsten. Dybe erkendelser om populærkulturen, Politiken (Copenhagen: January 9).
2008 Jalving, Camilla. Hverdagens helte spejler sig I idolerne, Kristeligt Dagblad (Copenhagen: January 10) p.
2008 Jensen, Christina. Britneys fans på museum, MetroXpress (Copenhagen: Janua ry 9) p. 48.Judkis, Maura.
You deserve a Fake Today, Washington City Paper (Washington DC: July 11 – 17).
2008 Kuhn, Nicola. Berlins heißer Kunstherbst, Der Tagesspiegel (Berlin: October 29) p. 21.
2008 Kuhn, Nicola. Wir lieben euch doch, Der Tagesspiegel (Berlin: November 29) p. 26.
2008 Kurtz, Andreas. Der Hausmeister ließ sich erweichen, Berliner Zeitung (Berlin: October 30) p. 32.
2008 Lequeux, Emmanuelle. Ces merveilleux fans chantants. A Avignon une exposition entraînante de
Candice Breitz, Le Monde (Paris: June 10) p. 22.
2008 Lessig, Lawrence. In Defense of Piracy, The Wall Street Journal (New York: October 11 – 12) p. W3.
2008 Lewis, Ben. Are you having a laugh?, Evening Standard (London: February 1) p. 39.
2008 Lorgé, Marie-Anne. Sacré Podium, Le Jeudi (Luxembourg: April 10).
2008 Macdonald, Fiona. Art Review: Comic chops from the best, Metro (London: January 28) p. 31.
2008 Meyer-Gatermann, Anne. A capella im Karton, Märkische Allgemeine (Berlin: October 29) p. 10.
2008 Mueller, Dominikus. Kunst ist der neue Pop, Die Tageszeitung (Berlin: October 30) p. 16.
2008 Popovic, Anja. 800 Gäste in “Temporärer Kunsthalle”, Berliner Morgenpost (Berlin: October 29) p. 30.
2008 Richter, Peter. Wir sind nicht gekommen, um zu bleiben, Frankfurter Allgemeine Zeitung (Frankfurt:
October 29) p. 33.
2008 Rolland, Marie-Laure. La creation, au-delà des clichés, Luxemburger Wort (Luxembourg: April 25) p. 13.
2008 Rondeau, Corine. Loin du château bleu – Candice Breitz, FROG (Paris – No. 7) pp. 114-119.
2008 Rose, Sean James. L’épiphanie des fans selon Candice Breitz, La Libération (Paris: April 2).
2008 Rosenberg, Karen. Now You Perceive It, Now You Think You Do, The New York Times (New York: August
22) p. E30.
2008 Ruthe, Ingeborg. Madonna in der Kiste, Berliner Zeitung (Berlin: October 29) p. 3.
2008 Sandals, Leah. Singing together in harmony, The National Post (Toronto: October 23).
2008 Sandbye, Mette. Oh Yeahhh!, 24timer Århus+ (Århus: January 14) p. 13.
2008 Slot, Steffen. Stedet hvor man ikke taler, Dagbladet Ringsted (Ringsted: January 9) p. 6.
2008 Smith, Roberta. The Week Ahead, The New York Times (New York: June 15) p. E4.
2008 Sorensen, Rosemary. Beyond the frozen image, The Australian (Sydney: October 27)
2008 Stange, Raimar. In Media Res, Flash Art International (Milan – No. 262: October) pp. 122-125.
2008 Strötgen, Janina. Gesellschaft ist alles – Privates zählt nichts, Tageblatt (Luxembourg: April 26).
2008 Turner, Ben. Art House: Candice Breitz, House ( London – No. 04: Spring) pp. 29-36.
2008 Von Bullion, Constanze. Platz für viele Galaxien, Süddeutsche Zeitung (Munich: May 17) p. 3.
2008 Walde, Gabriela. Kunsthalle: Verspätete Hommage auf Nicholson, Berliner Morgenpost (Berlin: 29
2008 Walerich, Christiane. Pop Devotion, WOXX (Luxembourg: May 16).
2008 Wynants, Jean-Marie. Des idoles et des fans, Le Soir (Brussels: April 30).
2007 Ackermann, Tim. Deutschland sucht den Super-Jacko, Die Tageszeitung (Berlin: May 25) pp.15-16.
2007 Arnaudet, Didier. Candice Breitz, Art Press (No. 340: December).
2007 Bennett, Jill. Aesthetics of Intermediality, Art History (Oxford: June 3) pp. 432-450.
2007 Büsing, Nicole and Klaas, Heiko. We are the Champions: Candice Breitz, Weltkunst Contemporary
(Munich: September) pp. 26-28.
2007 Chandler, Voelz. Art soaks in MCA spotlight, Rocky Mountain News (Denver: November 2).
2007 Chapman, Peter. Pick of the Week: Candice Breitz, The Independent (London: August 11-17) p. 13.
2007 Collings, Matthew. Diary: Art is the New Religion, Modern Painters (London: December) pp. 38-41.
2007 Di Blasi, Johanna. Made In Germany: Candice Breitz, Verlagsbeilage Hannoversche Allgemeine Zeitung /
Neue Presse (Hannover: May 24) pp. 6-7.
2007 Farrell, Laurie Ann. Notes on a Cultural Pirate, Art South Africa (Cape Town – Volume 5 / Issue 4: Winter) pp. 48-53.
2007 Güner, Fisun. Art Review: Candice Breitz, Metro (London: August 6) p. 29.
2007 Hayden, Malin Hedlin. On Candice Breitz’s Becoming, n.paradoxa: International Feminist Art Journal
(London – Volume 20) pp. 50-57.
2007 Heilmann, Julia. Die Schöne und die Biester, Berliner Morgenpost (Berlin: September 9).
2007 Heilmann, Julia. Die Schöne und die Biester, Welt Kompakt (Berlin: September 12) p. 23.
2007 Herchenröder, Christian. Religiöse Ersatzmutter: Made in Germany_, Handelsblatt (Düsseldorf: June 8).
2007 Holmes, Pernilla. -In Your Face, Artnews (New York – Volume 106 / No. 6: June) pp. 106-111.
2007 Jocks, Heinz-Norbert. Made in Germany: Ein Gespräch mit den Direktoren Ulrich Krempel, Veit Görner
und Stephan Berg, Kunstforum (Ruppichteroth – No. 186: June – July) pp. 419-437.
2007 Koerner von Gustorf, Oliver. Lauter schräge Vögel, Welt am Sonntag (Berlin: May 27) p. 71.
2007 Liebs, Holger. Schwarzes Loch, Süddeutsche Zeitung (Munich: May 24) p. 13.
2007 Lösel, Anita. Made In Germany: Blutbad und Blümchentapete, Der Stern (May 27).
2007 Lüddemann, Stefan. Im Kunstbetrieb angekommen? Neue Osnabrücker Zeitung (Osnabrück: May 26).
2007 Lüddemann, Stefan. Kleine Schwester des Kinos? Neue Osnabrücker Zeitung (Osnabrück: April 25).
2007 Marcus, J. S. Hanover: Made in Germany, Wall Street Journal (New York: July 27).
2007 Müller, Katrin Bettina. Vorne der See, hinten die Geschichte, Tip (Berlin: July 26 – August 8) pp. 58, 61.
2007 Müller, Hans-Joachim. Aufzeichnungen zerfliessender Lebensräume, Neue Zuericher Zeitung (Zuerich:
July 28).
2007 O’Toole, Sean. The Big Picture: Candice Breitz, Sunday Times – Lifestyle (Johannesburg: August 19) p. 5.
2007 Shaw, William. We Are Not A Muse, The New York Times Magazine (New York: February 5) pp. 80-84.
2007 Smee, Sebastian. Hip but not so happening, The Australian (February 10).
2007 Sooke, Alastair. How to replace a diamond-studded skull, The Daily Telegraph (London: July 31) p. 28.
2007 Tieke, Kristina. Hellwach im Reich des Dämmers, Hannoversche Allgemeine Zeitung Nr. 119 (Hannover:
May 24) p. 13.
2007 von Thurn und Taxis, Elisabeth. Spiel’s Nochmal Fan! Vanity Fair (Berlin – No. 30/31: July 19) pp. 146-
2007 Ward, Ossian. Private View: Candice Breitz, Time Out (London: July 25-31) p. 49.
2007 Williams, Eliza. Candice Breitz: White Cube, Flash Art (Milan – No. 257: November – December,) p. 111.
2007 Wyndham, Constance. Video saves the radio star, The Financial Times (London: July 28) p. 18.
2006 Baer-Bogenschütz, Dorothee. Barcelona: Copyright-Debatte bei der Film-Messe Loop, Kunstzeitung (No.
120: August) p. 5.
2006 Bettens, Walter. Get up, Stand up: The Making of Legend (A Portrait of Bob Marley), DAMn° Magazine
(Issue 5: February – March) pp. 142-145.
2006 Bloemkolk, Jos. This is America: een opwindend beeld, Het Parool (Amsterdam: July 8) pp. 28-29.
2006 Buhr, Elke. Candice sucht den Superstar, Art: Das Kunstmagazin (No. 10: October) pp. 70-75.
2006 Casavecchia, Barbara. Tutti gli specchi di Candice, D – la Repubblica delle Donne (No. 525: November
18) pp. 149-152.
2006 Garcia, Cathy Rose. Artist Shows How Stars Influence Fans, The Korea Times (Seoul: September 23-24).
2006 Graham-Dixon, Andrew. Haunted Staircase. Candice Breitz: Working Class Hero (A Portrait of John
Lennon), The Sunday Telegraph / Seven Magazine (London: October 29) p. 32.
2006 Holmes, Nigel. The Art Universe: from the Vanity Fair Observatory High Atop Times Square, Vanity Fair
(No. 556: December) pp. 340-341.
2006 Januszczak, Waldemar. Art: Urban Myths, The Sunday Times (London: November 26).
2006 Kramar, Thomas. Und dann sind wir Helden (der Arbeiterklasse), Die Presse (Wien: December 15).
2006 Mittringer, Markus. Zahn- und Liedpflege, Der Standard (Wien: December 19).
2006 Oliver, William. Candice Breitz: getting snippy with Sharon, The Art Newspaper: Art Basel / Miami Beach
Daily Edition 9/10 (December) p. 6.
2006 O’ Toole, Sean. A Star Astride the World Stage, Business Day (Johannesburg: September 1) p. 10.
2006 Paice, Kimberley. _Repetition and Theft: Recent video works by American women artists-, n.paradoxa:
International Feminist Art Journal (London – Volume 17) pp. 5-18.
2006 Probst, Ursula Maria. Critique: Klartext Berlin – Words Are Very Unnecessary, Spike (No. 10: Winter) pp.
2006 Rappolt, Mark. Lucky Star: Candice Breitz, i-D Magazine (London – Vol. II/XVI / No. 266: May) pp. 118-121.
2006 Ross, Christine. The Temporalities of Video: Extendedness Revisited, Art Journal (Volume 65 / No. 3:
Fall) pp. 83-99.
2006 Schoch, Ursula Badrutt. Kunst und Kleid eröffnet, St. Galler Tagblatt (St. Gallen: September 2) p. 25.
2006 Sooke, Alastair. Singing to the Gallery, The Daily Telegraph (London: September 2) p. 4.
2006 Tilmann, Christina. Der Sound der Würstchenbude, Der Tagesspiegel (Berlin: June 1) p. 26.
2006 Whetstone, David. Stairwell with a Lennon touch, The Journal (Newcastle: October 10) p. 31.
2005 Althen, Michael. Ich bin deine Erfindung, Frankfurter Allgemeine Zeitung (Frankfurt: October 13) p. 39.
2005 *Barrett, Rachael. Now watch the Legend: Marley video art tribute opens, The Sunday Observer
(Jamaica: December 4) p. 15.
*2005 Bester, Rory. Candice Breitz at White Cube, London, Art South Africa (Volume 4 / Issue 2: Summer) pp.
2005 Bleyl, Henning. Klischees im Kammerspiel, Die Tageszeitung (Bremen: October 29/30) p. 27.
2005 Bruhns, Annette. Die Meisterin des Loops, KulturSPIEGEL (Issue 11: November) pp. 26-32.
2005 Chambers, Nicholas. Candice Breitz: Mother + Father – Interview with Nicholas Chambers, Artlines
(Queensland Art Gallery, South Brisbane – Volume 2) pp. 12-15.
2005 Chapman, Peter. Private View: Candice Breitz, The Independent / The Information (London: September
10-16) p. 15.
2005 Crompton, Sarah. Why Women Slipped out of the Frame, The Daily Telegraph (London: June 29).
2005 Curto, Guido. I nostri genitori? Gli attori di Hollywood, La Stampa (Torino: February 15) p. 25.
2005 Darwent, Charles. Shot by Both Sides, The Independent on Sunday / ABC Magazine (London: September
11) p. 15.
2005 Dorment, Richard. Review of the Year 2005: Newcomer of the Year – Candice Breitz, The Daily Telegraph
/ Arts + Books (London: December 24) p. 5.
2005 Dorment, Richard. Screaming and Singing, The Daily Telegraph (London: September 6) p. 21.
2005 Dorment, Richard. The Star Pavilions, The Daily Telegraph (London: June 15) p. 17.
2005 Gispert, Luis et al. The Artists’ Artists, Artforum (No. 4: December) p. 107.
2005 Glover, Michael. A game of happy families, The Financial Times (London: September 16) p. 16.
2005 Graham-Dixon, Andrew. Implosion of the body-snatched, The Sunday Telegraph (London: September
11) p. 6.
2005 Güner, Fisun. Candice Breitz, Metro (London: September 12) p. 33.
2005 Höbel, Wolfgang. Casanovas, Freaks und Patrioten, Der Spiegel Online (Germany: September 5).
2005 Iredale, Jill. Eye of the Beholder: Candice Breitz, Lincolnshire Echo (Lincoln: September 15) p. 10.
2005 Johnson, Ken. Girls on Film, New York Times (New York: August 26).
2005 Jones, Alice. My family and other actors, The Independent (London: September 5) p. 43.
2005 Kent, Sarah. Screen Idols, Time Out (London: September 21 – 28) p. 57.
2005 Lange, Christy. Crazy for You: Candice Breitz on Pop Idols & Portraiture, Modern Painters (London:
September) pp. 68-73.
2005 Miadi, Fadwa. Une vidéaste contre Hollywood, Jeune Afrique L’Intelligent (Paris: May 29).
2005 Nochlin, Linda. Venice Biennale: What Befits a Woman?, Art in America (No. 8: September) pp. 120-125.
2005 Nord, Cristina. Zu viele Männer, Die Tageszeitung (Berlin: September 8) p. 16.
2005 Perra, Daniele. Candice Breitz: Castello di Rivoli Museo d’Arte Contemporanea, Tema Celeste (No. 109:
May – June) p. 89.
2005 Richter, Peter. Wann platzt die Blase?, Monopol (No. 4: August – September) p. 20.
2005 Riding, Alan. Modern Art, The New York Times Travel Issue (New York: September 25) p. 11.
2005 Robecchi, Michele. Candice Breitz, Contemporary (Issue 76) pp. 34–37.
2005 Smith, Roberta. A Medium in the Making: Slicing Familiar Films Into Something New, New York Times
(New York: July 29).
2005 Smith, Roberta. Art in Review: Candice Breitz, New York Times (New York: October 21).
2005 Spiegler, Marc. The Venice Effect, The Art Newspaper (Basel: June 15).
2005 Sumpter, Helen. Pop Idols: Candice Breitz, The Big Issue (London: September 19) pp. 30-31.
2005 Van Teeseling, Steven. Worsteling met de echte wereld, De Groene Amsterdammer (Amsterdam: July 1)
p. 28.
2005 Vetrocq, Marcia. Venice Biennale: Be Careful What You Wish For, Art in America (No. 8: September) p.
2005 Volk, Gregory. Candice Breitz at Sonnabend, Art in America (No. 11: December) p. 136.
2005 Weichardt, Jürgen. Wiederholte Wunschwelten, Nordwest-Zeitung (Oldenburg: October 29) p. 13.
2005 Whitfield, Sarah. Exhibition Reviews: Candice Breitz at White Cube, The Burlington Magazine (London –
Volume CXLVII / Number 1232: November) pp. 766-767.
2005 Wittneven, Katrin. Utopia: Candice Breitz über die Zukunft der Sprache, Monopol (No. 6: December –
January) pp. 101-103.
2005 Wulffen, Thomas. 51. Biennale Venedig. Nach dem Rundgang: Notizen zu Künstlern, Kunstforum (No.
177: September – October) pp. 95, 276.
2005 Zolghadr, Tirdad et al. Venice Biennale 2005, Frieze (Issue 93: September) p. 101.
2004 Aschenbrenner, Jenny. Sluta gapa och svälja, Piteå-Tidningen (Stockholm: October 15).
2004 Auer, James. Milwaukee Art Museum Recasts its Contemporary Collection, Milwaukee Journal Sentinel
(Milwaukee: February 21).
2004 Diez, Renato. Art Basel: Una festa per l’arte, Arte (No. 373: September) p.73.
2004 Grumberg, Amiel. Art et Tourisme: le Guide du Rout’Art, Beaux Arts Magazine (No. 242: July).
2004 Gurney, Kim. Through the Looking Glass: Albany History Museum, Grahamstown, Art South Africa (Cape
Town – Volume 3 / Issue 1: Spring) p. 64.
2004 Hammond, Jeff Michael. Culture Shock: South African artist turns lens on Japan, Asahi Shimbun (Tokyo:
June 18).
2004 Korotkin, Joyce. Candice Breitz: Sonnabend Gallery, New York, Tema Celeste (No. 103: May – June) p. 93.
2004 Kröner, Magdalena. Candice Breitz: Schreien, Stottern, Singen: Das Playback des Ich: Ein Gespräch mit
Magdalena Kröner, Kunstforum (No. 168: January – February) pp. 276-283.
2004 Mayer, Gabriele. Frauen brauchen schußsichere Kleider: In der Nürnberger Kunsthalle treffen sich
Kunst und Mode, Frankfurter Allgemeine Zeitung (Frankfurt: January 14).
2004 Orrghen, Anna. Breitz ställer masskulturen i konstens tjänst, Svenska Dagbladet (Stockholm: October
2004 O’Toole, Sean. SA’s Loss Becomes a Global Gain, Business Day (Johannesburg: March 5).
2004 Piccoli, Cloe. People: Candice Breitz, Carnet Arte (Milan: June – July) p. 68.
2004 Spiegler, Marc. Candice Breitz: Max Hetzler, Berlin, Artnews (March) p. 140.
2004 Stange, Raimar. Pop Goes Politics: Art, Music, Politics, Flash Art Italia (No. 244: February – March) pp.
2004 Wendland, Johannes et al. Neue Heimat: Warum ausländische Künstler in Berlin leben, Zitty (Berlin –
No. 8: January 1-14) p. 23.
2004 Werneburg, Brigitte. Reigen der Affekte: Aufruhr der Gefühle, Die Tageszeitung (Berlin: August 20)
2004 Wolfe, Alexandra. The Transom: Just Like J.Lo, The New York Observer (New York: February 16) p. 3.
2003 Bussel, David. Candice Breitz, i-D Magazine (January, 2003) p. 171.
2003 Geldard, Rebecca. Candice Breitz / Asprey Jacques, Time Out (London: 19 – 26 March).
2003 Gohlke, Gerrit. Schutz und Trutz, Stirn und Hand: Über Alien – eine Videoinstallation von Candice Breitz,
BE Magazin # 9 (Berlin: Künstlerhaus Bethanien) pp. 116-122.
2003 Güner, Fisun. Art Spoken from a Soapbox / Candice Breitz: Diorama, Metro (London: February 28) p. 22.
2003 Haines, Bruce. Candice Breitz: Re-Animations / Jim Lambie: Male Stripper, Contemporary (London:
November – December) p. 71.
2003 Kojima, Yayoi. People: Candice Breitz, Esquire Magazine (Tokyo – Volume 17 / No. 1: January) p. 47.
2003 MacAlister, Katherine. Chewing up pop culture, The Oxford Mail (Oxford: September 12) p. 17.
2003 Menin, Samuela and Sansone, Valentina. Focus Video and Film / Contemporary Video Art Today (Part I),
Flash Art (No. 228: January – February) p. 89.
2003 *Mullins, Charlotte. Sigmar Polke and Candice Breitz: Taking Pot Shots at a Media-Saturated World, The
Financial Times (London: October 1).
*2003 Nilsson, John Peter. Få vågar så, Aftonbladet (Stockholm: May 25) p. 4.
Peacocke, Helen. Art: Candice Breitz and Jim Lambie: Modern Art Oxford The Oxford 2003 Times (Oxford:
September 19).
2003 Peacocke, Helen. Stars and stripes of art gallery’s season: Candice Breitz and Jim Lambie at Modern Art
Oxford, The Oxford Times (Oxford: September 12) pp. 4-5.
2003 Ratnam, Niru. Up Front On The Verge: Candice Breitz, OM: Observer Magazine (London: August 24) p.
2003 Schaufelberger, Peter. Mit Haut und Haar: Striptease, vom Verschleiern und Enthüllen – eine
Austellung im Kunstmuseum St. Gallen, Südkurier (St. Gallen: June 14) p. 30.
2003 Schmitz, Edgar. Candice Breitz: Re-Animations, Kunstforum (Volume 167: November – December) pp.
2003 Stange, Raimar. Candice Breitz in der Galerie Hetzler: Monitor mit Nabelschnur, Der Tagesspiegel
(Berlin: October 4) p. 28.
2003 Stange, Raimar. Candice Breitz: Galerie Max Hetzler, Flash Art (No. 233: November – December) p. 104.
2003 Stange, Raimar. Candice Breitz: Mediale Aliens_, uSpot p. 13.
2003 Stange, Raimar. Raimar Stange über Candice Breitz, Artist Kunstmagazin (No. 54: January) p. 24.
2003 Sumpter, Helen. Candice Breitz: Re-Animations / This is not a Love Song, The Big Issue (London:
September 29).
2003 Vogel, Matthias. Mythos Cyborg: Der “Maschinenmensch” als Thema der Gegenwartskunst, Neue
Zürcher Zeitung (Zurich: March 13).
2003 Wainwright, Jean, Candice Breitz: Modern Art Oxford, Art Monthly (No. 271: November) pp. 18-19.
2003 Wilsher, Mark. Candice Breitz: Diorama / Asprey Jacques, What’s On In London (London: March 19 – 26)
p. 24.
2002 Auer, James. Visuals overtake traditional art forms at inova, Milwaukee Journal Sentinel (Milwaukee:
November 27).
2002 Cotter, Holland. Cinema à la Warhol, With Cowboys, Stillness and Glamour, New York Times (New York:
April 5).
2002 Gardner, Belinda Grace. Ins Museum, der Fernseher wegen, Die Welt (Germany: May 19).
2002 Grosse, Julia. Sing, und du wirst integriert, Die Tageszeitung (Berlin: November 8) p. 16.
2002 Gupta, Anjali. The Conversation: A Discussion with Artpace’s Candice Breitz, San Antonio Current (San
Antonio: February 21 – 27) p. 15.
2002 Jahn, Wolf. Flimmern in der Höhle: Videokunst in der Galerie der Gegenwart, Hamburger Abendblatt
(Hamburg: April 13).
2002 Murray, Soraya. Africaine: Candice Breitz, Wangechi Mutu, Tracey Rose, Fatimah Tuggar, Nka Journal of
Contemporary African Art (No. 16/17: Fall – Winter) p. 88.
2002 Preuss, Sebastian. `Viel Heu, wenig Mitte,’ Berliner Zeitung (Berlin: January 9).
2002 Robecchi, Michele. Reviews: Candice Breitz / Francesca Kaufmann, Flash Art Italia (No. 231: December –
2002 Rohr-Bongard, Linde. Kunst-Kompass: Stars von Morgen, Capital (No. 13).
2002 Stange, Raimar. Candice Breitz im Museum Folkwang, Kunst-Bulletin (No. 11: November) p. 46.
2002 Sumiyoshi, Chie. Mito: Candice Breitz, Brutus (Tokyo – Volume 5 / No. 1:) p. 155.
2002 Weil, Rex. Candice Breitz: De Appel / Amsterdam, Artnews (Summer) p. 184.
2002 Wright, Annabel. Challenging Meaning in Contemporary Art, The Daily Yomiuri (Tokyo: November 14) p.
2001 Altstatt, Rosanne. Killing Me Softly… An Interview with Candice Breitz, Kunst-Bulletin (No. 6: June) pp. 30-37.
2001 Büsing, Nicole and Klaas, Heiko. Wiederholungszwang, Kieler Nachrichten (Kiel: September 27).
2001 Cartier, Stephan. Der Rhythmus der neuen Zeit geht in Serie, Weser-Kurier (Bremen: September 28).
2001 Cherubini, Laura. Tre star brillano nel cielo di Candice Breitz, il Giornale (Milan: October 22).
2001 Cincinelli, Saretto. Post Production: Galleria Continua, San Gimignano, Flash Art Italia (No. 229: August
– September) p. 104.
2001 Falconer, Morgan. Hallucinating Love / Asprey Jacques, What’s On In London (London: July 18 – 25).
2001 Gardner, Belinda Grace. Kein Heuhaufen fällt zweimal in denselben Fluß, Frankfurter Allgemeine
Zeitung (Frankfurt: October 24).
2001 Himmelsbach, Sabine. Body Check, Ethik & Unterricht (No. 11: 2) p. 12.
2001 Hofmann, Isabelle. Serientäter unter sich, Kunstzeitung (No. 64: December, 2001) p. 9.
2001 Hofmann, Isabelle. Vom Gesetz der Serie: Die Hamburger Kunsthalle präsentiert eine große
internationale Ausstellung, Hannoversche Allgemeine Zeitung (Hannover: November 26).
2001 Johnson, Ken. West Side: The Armory Show on the Piers Just Keeps Growing, New York Times (New York:
February 23) p. E31.
2001 Knöfel, Ulrike. Kunst kommt von Zappen, Der Spiegel (No. 33: August 13) p. 167.
2001 Krumpl, Doris. Sanfter Tod mit Liebesliedern: Candice Breitz mit “Cuttings” im Linzer O.K Centrum für
Gegenwartskunst, Der Standard (Vienna: July 4) p. 26.
2001 Louis, Eleonora. Candice Breitz: Cuttings, Springerin (Vienna – Volume VII / Issue 3/01) p. 68.
2001 Pollack, Barbara. Africa’s Avant-Garde – The Newest Avant-Garde, Artnews (April).
2001 Schaufelberger, Peter. Babylonische Sprachverwirrung: Video-Installation von Candice Breitz in St.
Gallen, Südkurier (St. Gallen: May 12, 2001).
2001 Schellen, Petra. Obsessionen… Zählen, bis man von der Zeit eingesogen wird: Serien Ausstellung in
der Kunsthalle,’ Die Tageszeitung (Berlin: October 25).
2001 Schlüter, Ralf. Monets Vermächtnis: Im Rausch der Wiederholung, Art: Das Kunstmagazin (December).
2001 Schoch, Ursula Badrutt. Augentauchen: Das Kunstmuseum St. Gallen enthüllt in einem künstlerischen
“Striptease” sein Können, St. Galler Tagblatt (St. Gallen: May 2) p. 22.
2001 Schwarze, Dirk. Die Kunsthalle als großes Kino, Hessische / Niedersächsische Allgemeine (Kassel:
August 11) p. 26.
2001 Wainwright, Jean, Can we talk about contemporary video and film art in terms of genres?, PLUK (London
– No. 2: September – October) pp. 28-41.
2000 Corbetta, Caroline. Candice Breitz: Francesca Kaufmann, Flash Art Italia (No. 221: April – May).
2000 Fichtner, Heidi. Global Art: Das Lied von der Erde, Nu: The Nordic Art Review (No. 6).
2000 Higgie, Jennifer. Istanbul Biennial, Frieze (Issue 50: January – February) pp. 92-93.
2000 Hunt, David. Candice Breitz: Fighting Words, Flash Art (No. 211: March – April) p. 94.
2000 Hunt, David. Sixth International Istanbul Biennial, Art & Text (No. 68: February – April).
2000 Johnson, Ken. Art in Review: Tomorrow, New York Times (New York: July 14).
2000 Keller, Claudia. Idylle mit Leichen, Der Tagesspiegel (Berlin: August 23) p. 26.
2000 Kerkham, Ruth. A Deadly Explosive on Her Tongue – White Artists / Black Bodies, Third Text (No. 50:
Spring, 2000) pp. 45-60.
2000 Kibanda, Nadine. Out of Africa: La Storia Oltre Le Frontiere, Flash Art Italia (February – March) p. 78.
2000 Law, Jennifer. Ghost Stories: Democracy, Duplicity and Virtuality in the Work of Candice Breitz, Frauen
Kunst Wissenschaft (Issue 29: June) p. 45-56.
2000 Nemeczek, Alfred. Regie führt das Leben, Art: Das Kunstmagazin (No. 9: September).
2000 Noè, Paola. Candice Breitz: Galleria Francesca Kaufmann, Tema Celeste (March – April).
2000 Phillips, Christopher. Report from Istanbul: Band of Outsiders, Art in America (April) pp. 71-75.
2000 Rohr-Bongard, Linde. Kunst-Kompass: Stars von Morgen, Capital (No. 23) p. 238.
2000 Roper, Chris. Review of the Week: Hardcore Bacchanalia, Mail & Guardian (Johannesburg: January 14-
20) p. 2.
2000 Tatot, Claude-Hubert. Parole et parole et parole… Candice Breitz: Babel Series, Papiers Libres Art
Contemporain (Geneva – No. 21: July).
2000 Vettese, Angela. Arte Visiva: C’è qualcosa di nero, Il Sole 24 Ore (Milan: January 23).
2000 Weskott, Hanne. Schlagerkitsch und meditative Landschaften, Süddeutsche Zeitung (Munich: October
11) p. 21.
1999 Büthe, Joachim. Kunstwelten im Dialog? Von Gauguin bis zur globalen Gegenwart, Neue Bildende Kunst
(No. 7: December).
1999 Dziewior, Yilmaz. Candice Breitz: Galerie Johnen & Schöttle, Artforum (March) p. 123.
1999 Herzog, Samuel. Hätte man das Goldene Horn doch bloss ausfliessen lassen, Basler Zeitung (Basel:
September 21).
1999 Herzog, Samuel. Istanbul: Sechste Internationale Biennale, Kunst-Bulletin (No. 11: November) p. 35.
1999 Kortun, Vasif and Antmen, Ahu. The Istanbul Fall: A Journey Through a Sensitive Megapolis, Flash Art
(No. 209: November – December).
1999 Liebs, Holger. Wenn der Skorpion auf die Grille trifft, Süddeutsche Zeitung (Munich: November 12).
1999 Sonna, Birgit. Namen sind nur Schall und Rauch, Süddeutsche Zeitung (Munich: March 31).
1998 Axel, Brian Keith. Disembodiment and the Total Body: A Response to Enwezor on Contemporary South
African Representation, Third Text (No. 44: Autumn).
1998 Jesus Montes, Maria. El cuerpo se debate entre lo sexual y lo racial, El Nacional (Caracas: January 16)
p. C/4.
1998 Monsalve, Yasmín. Diálogo entre pornografía y etnografía, El Universal (Caracas: January 16) p. 3-9.
1998 Sonna, Birgit. Cindy Shermans kleine Schwestern, Süddeutsche Zeitung (Munich: August 26).
1998 Torres Leon, Vicglamar. Etnografía y pornografía en la Mirada fotográfica, El Globo (Caracas: January
16) p. 18.
1998 Zaya, Octavio. Reflections on Candice Breitz’s Rorschach Series, TRANS (No. 5: Winter).
1997 Blignaut, Charl. The New Photography: How we see ourselves, The Weekly Mail & Guardian
(Johannesburg: November 14-20) pp. 2-4.
1997 Campbell, Clayton. Candice Breitz, David Levinthal, and David McGee, Flash Art (No. 195: Summer).
1997 Enwezor, Okwui. Reframing the Black Subject: Ideology and Fantasy in Contemporary South African
Representation, Third Text (No. 40: Autumn) pp. 21-40.
1997 Hoffmann, Justin. nklusion:Exklusion, Kunstforum (No. 136: February – March) pp. 350-353.
1997 Kandel, Susan. Feminine Perspective, Los Angeles Times (Los Angeles: April 18).
1997 Kravagna, Christian. Mr. Livingstone, I presume…, Springerin (Vienna – Volume III / Issue 2) pp. 39-43.
1996 Accone, Darryl. Breitz ticks off the viewers with a colour balance that disturbs the rainbow nation, The
Sunday Independent (Johannesburg: September 15) p. 4.
1996 Atkinson, Brenda. Rethinking Pornography: Imaging Desire (Candice Breitz interviewed by Brenda
Atkinson, Camera Austria (No. 56).
1996 Enwezor, Okwui and Zaya, Octavio. Moving In: Eight Contemporary African Artists, Flash Art (No. 186:
January – February).
1996 Friedman, Hazel. Skin Graft, Mail & Guardian (Johannesburg: August 23-29) p. 30.
1996 Greig, Robert. Unmasking the self in grotesqueries of the other, The Sunday Independent
(Johannesburg: September 8).
1996 Marchart, Oliver. Geschüttelt, nicht gerührt, Falter Verlag (Vienna: October 3) p. 26.
1996 Sirmans, Franklin. Steirischer Herbst ’96: Barfly Theory at the Show, Flash Art (No. 191: November –
December) p. 38-39.
1996 Spiegl, Andreas. nklusion:Exklusion – Kunst im Zeitalter von Postkolonialismus und globaler Migration,
Springerin (Vienna – Volume II / Issue 4) pp. 57-59.
1996 Zaya, Octavio. Global Art: Candice Breitz, Flash Art (No. 191: November – December) p. 97.
1994 Powell, Ivor. Watch This Artist, The Weekly Mail and Guardian (Johannesburg: March 18-24).

Artworks in the SAFFCA Collection