Ruzy Rusike started the year with an invitation to Paris from IFAS. The Ministry of European and Foreign Affairs and the Ministry of Culture of France welcomed Ruzy to a conference on audience growth and development for cultural organisations. Click here to read more Soon after the arrival of Lungile Zaphi for her internship […]
On her return from St Emilion and Paris, Ruzy Rusike went to Cape Town to listen to Kendell Geers for the launch of his book at the Zeitz MOCCA. She took the opportunity to visit A4 Arts, Sheryn, Mmakgabo Mapula Helen Sebidi and Wim Botha’s exhibition at the Norval Foundation, Iziko, Gallery MOMO, Stevenson, GOODMAN Gallery, […]
It was an honor and a pleasure to be invited to participate in a panel discussion at AKAA, Also Known As Africa. The panel was chaired by Sara Alonso Gómez Art Historian and Curator who has activities in Cuba. We have started preliminaries discussion to include Cuban artists in our residency in South Africa in […]
On the June 10, 2017, the documenta 14 exhibition opened in Kassel, Germany. Pierre Lombart alongside Julia Magnus went and saw what has been described as ” big and somewhat confoundingly complex…[which has] have a heart, of sorts, or at least some central nodes. “(B.Davis,2017.,: artnet). Below you will find a few images of some highlights from the opening. […]
Read More… from documenta 14 | So much to see and so little time…
A war of words has broken out between two well-known artists over issues of intellectual property, artistic freedom, and censorship. Brussels-based South African artist Kendell Geers fired the opening salvo on Monday, publishing an open letter on Amateur d’art, the art blog of the French newspaper Le Monde, criticizing French-Algerian artist Kader Attia for his ongoing lawsuit against Universal […]
Read More… from KENDELL GEERS TO KADER ATTIA: CALL OFF YOUR PLAGIARISM LAWSUIT
Nous avons été quelques-uns à être choqués par l’action en justice de Kader Attia contre les rappeurs Dosseh et Nekfeu pour plagiat : ceux-ci, dans un clip vidéo (qu’on peut encore voir ici) ont vêtu leurs choristes et eux-mêmes de couvertures de survie, qui peuvent rappeler cette pièce de Kader Attia (ils ont aussi filmé cebâtiment de […]
